Friday, December 2, 2011

Daughtry keeps style, including tired theme of jilted romance

Daughtry keeps style, including tired theme of jilted romance

http://pittnews.com/newsstory/daughtry-keeps-style-including-tired-theme-of-jilted-romance/


Break The Spell

Daughtry

Recordings Ltd.

B

Rocks Like: Lifehouse, Hinder

It’s time for the latest installment of Daughtry’s relationship drama.

Five years after its first self-titled album, American rock band Daughtry has released Break The Spell. The group’s third album combines a harder rock sound with the classic Daughtry music that fans know and love.

As always, Daughtry focuses on the pains and pleasures of relationships. It’s a nice throwback for fans, but overall it’s boring. How many times can we listen to songs about failed relationships?

Fortunately, not every track does this. The album kicks off with a high-energy song titled “Renegade,” featuring lyrics like, “Can you hear the sound of the turnin’ wheels / Burnin’ the road like it’s never been done / I’m breakin’ out of this town like a renegade / So baby, get ready to run.”

A gritty guitar drives the song, keeping the pace up and adding a level of fun that will probably make it shine at live performances.

Immediately after this, the song “Crawling Back To You” highlights the band’s continued fascination with songs about relationships on the brink. On this track, Daughtry sings about a man begging a woman to take him back. It sounds less like “gritty” rock and more like a typical Daughtry song, with softer lyrics and a sing-a-long tempo and chorus.

But lead singer Chris Daughtry adds a layer of interest when he experiments with his vocals in this album. He hits higher notes during songs like “Losing My Mind” than he had in the past and begins to demonstrate a softer, more emotional side of himself.

This more emotional side to Daughtry can be seen on one track in particular. The deluxe edition of the album features an acoustic song called “Lullaby.” The chorus goes, “I can’t wait to see your faces / And I can’t wait to hold your hands / When you get here, it’s off to the races / And we’ll tackle all life’s demands / But until I do / Yeah, until I do / I’ll be right here singing for you.” It’s a soft, emotional track, with the singer addressing the children of the future. It stands out as unique and incredibly heartfelt on an album primarily about falling in and out of love.

Overall, this album expands upon the band’s music without alienating its fans. It’s a fantastic demonstration of how a band’s sound can grow and develop over time, even if the primary topic remains a bit too repetitive.

Thursday, November 17, 2011

‘Happy Feet Two’ tries to fit too much in one movie

‘Happy Feet Two’ tries to fit too much in one movie

http://pittnews.com/newsstory/happy-feet-two-tries-to-fit-too-much-in-one-movie/


“Happy Feet Two”

Directed by George Miller

Starring Elijah Wood, Robin Williams, Pink

Grade: D

There are bad sequels, there are pointless sequels and there are agitating sequels. “Happy Feet Two” is all three.

Following up with Mumble the tap-dancing penguin, this animated film takes place not long after the first film ends as Mumble (Elijah Wood) and Gloria (Pink) live happily with their fellow Emperor penguins trying to raise their son. After Mumble’s journey outside of the penguins’ homeland in the first film, their society has reformed — children are taught not only how to sing, but how to dance.

But Mumble’s son, Erik (E.G. Daily), does not fit in with his fellow penguins and does not have the passion for dancing that his father brought to the group. During a brief journey with Mumble’s old friend Ramon (Robin Williams), Erik meets a revered bird named The Mighty Sven (Hank Azaria). Mistaking Sven for a penguin that can fly, Erik makes it his dream to learn how to do the same. But before he can return home to his mother and father, everyone’s world is literally shaken as melting icebergs cause disturbances throughout the Antarctic.

If this seems like a messy story, it is. One of this film’s biggest flaws is its fast pacing and attempts to squeeze too much into a two-hour running time. The first movie was accused of the opposite problem — being too slow — but it seems that this film has overcorrected.

This problem doesn’t just affect the plot — the music and visuals are overdone, as well. This is pretty much a long, never-ending music video with mash-up after mash-up of bad dance moves and songs with the lyrics edited to make penguin jokes. The few lines of dialogue that aren’t sung are forced, fast and painful to listen to.

Though it was slow, the original “Happy Feet” characters felt developed and relatable, thanks in part to some very convincing voice acting. The fact that the first film followed a limited set of characters over the course of several years led to a fairly decent, emotional story told convincingly, albeit slowly.

“Happy Feet Two” does no such thing. Instead, it’s too busy juggling a bizarre, overcomplicated plot to even pick a main character or two. Not once during the film is it made clear whether the main protagonist is Mumble, his son, Gloria or any other penguin in the film. And come the end of the film, it’s impossible to tell what the lesson was. The value of family? The importance of good deeds and of being true to yourself? That even the smallest beings can make an impact on their surroundings? It could have been any of these — or something else, for all viewers knew.

Adding to the film’s flaws, Mumble’s parents (played by Hugh Jackman and Nicole Kidman) have completely disappeared. And the character of Gloria feels substantially different since Brittany Murphy, the original voice actress, died. Plus, in what may have been the worst decision by the director, the film got an additional two characters named Bill (Matt Damon) and Will (Brad Pitt), two krill taking part in a separate, unrelated journey of their own.

Remember Scrat the saber-toothed squirrel in the “Ice Age” films? These two krill serve a similar purpose — they offer pointless, bad comedy and distract viewers from the story, effectively ruining any limited tension that ever existed.

As the final nail in the coffin, while some other recent animated films know how to use 3-D effectively, this one does not. Young children may be amazed by the bubbles floating toward their faces and may enjoy the return of these dancing penguins — but this time, few outside of that age group will feel the same.

Friday, November 4, 2011

Giving time to good causes offers students many unexpected rewards

Giving time to good causes offers students many unexpected rewards

http://pittnews.com/newsstory/giving-time-to-good-causes-offers-students-many-unexpected-rewards/

Pittsburgh needs me. It needs you too.

Volunteering is one of my favorite activities and I do it pretty often. Working in the community not only gives a volunteer a sense of purpose and happiness, it can also help teach people about their city and give them networking opportunities.

I’m not alone when it comes to volunteering. Nationally, 62.7 million people volunteered a total of 8.1 billion hours of service in 2010, according to Volunteering in America’s website. The average volunteer spent about 34.1 hours working for no pay to help others and support various causes.

Often, the idea of “making a difference” comes up among volunteers at any site. There are other reasons to get involved, too, from learning about local issues to potentially getting academic credit, according to Terrence Milani, director of Pitt’s Student Volunteer Outreach office.

There are different levels of volunteering. Some people take part in one-time projects with multiple organizations, and others spend their time working at one site repeatedly. I do a little bit of both.

For example, through one of the organizations I’ve worked with — The Pittsburgh Project — I learned about food deserts, areas where people have absolutely no access to nutritious, healthy food.

The Pittsburgh Project is a local nonprofit that helps residents in the North Side by repairing houses, hosting summer camps and after-school programs, and even running a local farmers market. I learned about the issues that exist in areas like Pittsburgh’s Hill District while working on their urban farm.

Brett Probert, the volunteer resources assistant of The Pittsburgh Project, reported that so far in 2011, the group has had nearly 1,200 volunteers work for 6,000 hours.

“Obviously, the impact volunteers make for our ministry is huge,” he said. “We could not begin to accomplish much of what we do without them.”

A lot of organizations utilize one-time volunteers for various projects because “episodic volunteers” can fill “sporadic” needs, Probert said.

But one-time volunteering is relatively brief, and some opportunities are lost when a volunteer’s involvement is brief. This is why there’s another option volunteers have that I take part in: volunteering on a regular basis.

Currently I volunteer with a local museum and a local animal shelter, and I could go on and on about the benefits these two things have brought my way.

Volunteering not only helps with volunteer networking, but with career networking as well. At the Pennsylvania Trolley Museum, a nonprofit museum that operates and preserves old streetcars, I have a network of people who are like family to me. People have written letters of recommendation as well as connected with me on the website LinkedIn.

I can also add real-world experience to my resume, like marketing. I also work as a volunteer for the Western Pennsylvania Humane Society’s College Canine program. The shelter sends volunteers to campus once a week to help students reduce stress. For three years now, I’ve helped the group manage their online media and I can add those advertising clips to my resume.

After three years, I’ve bonded with the coordinator of the program, Marsha Robbins. Last summer, she helped me land an internship I desperately needed to finish my major and helped me find a job at the same site.

But these are all side benefits of volunteering. The real benefit is helping others and at the shelter, that can make a huge difference, Robbins said. Animals are calmer and happier thanks to cat cuddlers and dog walkers, meaning it’s easier for vet techs and adoptions coordinators to handle the animals and do their jobs.

Depending on the site a student picks, volunteering potentially “enhances academic performance and pursuits,” Milani said. Often, people find volunteer programs that match their personal or academic interests, which means that their volunteer work gives them extra time to learn and even work ahead of their peers. And there are always the benefits of hands-on experience and networking.

Some students avoid volunteering because of time issues, so finding a great volunteer site is important. Some require extensive time on site, but others are very relaxed about hours students put in.

Fortunately, finding a place to volunteer that matches your personal interests is not difficult. Students can find a club at Pitt that aligns with their personal interests and ask about volunteering opportunities. They can get involved in religious activities and service projects, or even talk to professors about volunteering options in their fields of interest.

Google is always a good place to look, too. On the Student Volunteer Outreach website, www.svo.pitt.edu, students can sign up to receive a bulletin that currently reaches about 9,000 students a month and features about 150 volunteering sites.

This weekend, consider starting a few one-time volunteer projects and see where you want to keep going, what matches your personality and which one matches your time schedule the best. What do you have to lose by trying something new?

Nalada tells stories without lyrics

Nalada tells stories without lyrics

http://pittnews.com/newsstory/nalada-tells-stories-without-lyrics/

Nalada

Lisa Miles

Ravello

B

Rocks Like: Cello Fury

Not every album needs lyrics to tell a story.

Such is the case with Lisa Miles’ Nalada, the most recent release in her 25-year history of performing. A Pittsburgh-based artist, Miles is a violinist and composer known for combining classical styles with punk rock rhythms and creating dark and meditative music. Her latest album manages to tug at the emotions of the listeners by using sound instead of words to tell tales.

Nalada, which means “mood” in Czech, features original compositions used in live, collaborative performances with other artists. The album is completely instrumental, primarily featuring violin, cello, bass, harp and guitar, among other instruments.

The lack of lyrics doesn’t make for boring music, though. Miles’ songs all set a different mood and manage to tell listeners a story. Often, the meanings behind the songs are in their titles, as well as in pitch and tempo.

Take, for example, the softly melodic track, “Now I See Myself” — an obviously self-reflective number with an entrancing sound. In the beginning, a single violin wavers longingly as a vocalist hums between bars. Halfway through, the tempo picks up and a guitar strums along in a moment of musical epiphany.

Some tracks in the album feature a single instrument moving freely in a smooth, relaxed manner. It is apparent that Miles’ sound and style is influenced by well-known classical composers, like Mozart.

Other tracks, like “Potent,” combine a number of sounds, swinging more into Asian-inspired styles. Brisk, staccato notes played intensely create a heavy sense of tension until the end of the song.

Not every song is particularly memorable, but overall, Miles has produced an impressive instrumental display of composition and put a contemporary spin on classical music.

Wednesday, October 26, 2011

No uniform required for Black Hat Society

http://pittnews.com/newsstory/no-uniform-required-for-black-hat-society/

No uniform required for Black Hat Society


Je’Amour Matthews grew up in a Roman Catholic household, but all the while her aunts were teaching her Italian Stregheria — a form of witchcraft,

Matthews knew she preferred the nature-based religion where followers worship nature personified in gods and goddesses. She protested going to church on Sundays. Once during a service she even dipped her hand into holy water and began screaming about how the water supposedly burnt her hand.

Eventually Matthews stopped going to church altogether and became a full-time self-identified witch. As a witch, the 52-year-old does not wear black robes, opting instead for jeans and T-shirts. And she certainly doesn’t carry a wand, cast spells or make love potions.

In response to these stereotypes about practicing witches, Matthews organized the Pittsburgh Black Hat Society in 2009 to act as a social support network for witches and neo-pagans. The Society is a chapter in the larger Black Hat Society Network, which has several chapters across the country. The local group today has 200 members of different ages, genders and ethnicities. Members might identify as Wiccan, Shamanistic, Druid, Celtic, Norse or as practitioners of any of a number of other neo-pagan belief systems. Since the word “neo-pagan” can be used to describe any non-monotheistic religion, members can practice one or a combination of thousands of these beliefs, which are often referred to as “paths.”

Matthews and other Black Hat members are hardly alone in their faith. According to a 2008 American Religious Identification Survey, witchcraft, or Wicca, and other earth-based neo-pagan practices have grown in popularity in the United States in the last several years. Nearly 2.8 million people identified with dozens of new religious movements labeling themselves Wiccan, pagan and so forth.

The Black Hat Society does not worship or attend ceremonies together, but instead acts as a social network for people with similar interests. It gives members a place to feel at home even if many people are, as Matthews says, “in the broom closet” about their beliefs. The organization also invites and even encourages members of the general public to come and learn more about some of these nature-based faiths.

“The community in Pittsburgh needed this,” Matthews said. “There is not a lot of outreach for those in pagan faiths and practices. Many people more or less practiced in [solitude] for years.”

Neo-Pagan Practices

A pet peeve of Matthews’ is being asked whether she dresses like a witch from “Harry Potter” when practicing witchcraft. In reality, when preparing to use her altar while mixing herbs or reading spells, Matthews stays in her T-shirt and jeans.

An incense holder, jewelry from her parents, a chalice, crystals and some of her favorite photos sit around the altar, Matthews said. She also keeps a journal of spells and recipes used during her practice — a common habit of practicing witches wishing to keep a chronicle of their faiths.

Matthews explained that in her practices she simply forms “intentions,” which are similar to prayers. They’re a form of wishes for possible outcomes and events in the future.

At the same time, she tries to channel energy into the Earth, because a key part of her practice is thanking the planet she lives on for its blessings and gifts.

“I think most people don’t understand that this is a nature faith,” Matthews said. “We feel responsible for the world around us and for the ground we walk on.”

Black Hat Society members’ backgrounds are as eclectic as their practices. In addition to her Italian witchcraft beliefs, Matthews has adopted a few ideas into her practice from several Asian religions, including Buddhism.

And this is OK, because one of the joys of neo-paganism is that it’s flexible by definition, organization member Francine Brashier, 47, said. She explained that there are literally thousands of combinations of paths to combine into a personal belief system that evolves over time.

This flexibility probably holds a very strong appeal for most practicing neo-pagans, Daniel Burston, associate professor and chair of the psychology department at Duquesne University, said. Neo-pagan practices don’t specify a single god or goddess, allowing practitioners flexibility in which deities they choose to worship.

“Some people may go to an Asian religion, and others go to systems like Wicca,” he said.

And according to the Pew Research Center, this is a common trend for the one-third of Americans who dabble in multiple religions. The study said that despite the overwhelming Christian majority in the United States, it’s common to find mainstream faiths that integrate aspects of other religions, such as belief in reincarnation.

It isn’t surprising that Matthews continued to practice one of the faiths she was taught as a child, according to Kristen Tobey, a visiting professor at Pitt’s Department of Religious Studies. She said that Pew’s surveys have also found that though half of America’s adults change religious practices, many others remain within their childhood religion and some try new beliefs before returning to their original practices.

Matthews is only one neo-pagan who can relate to this statement. Of course, the backgrounds of Black Hat members are extremely diverse. Despite this, the group bonds over its members common hobbies and beliefs asneo-pagans and witches.

The Rules

Members of the Black Hat Society worked hard to create a strong and supportive community for practicing witches in Pittsburgh, Brashier said. She said she herself grew up in a neo-paganist household.

“To be in this group, you don’t have to believe in what I or anyone else believes in,” Brashier said. “But while we don’t all share the same philosophies or faiths or beliefs, we share a togetherness. We rely on the connections we form.”

Brashier joined the group after seeing an ad for one of the group’s informal coffee dates on Craigslist. Though members use social media to stay in touch, they also meet in person once or twice every month to gossip over coffee or attend an educational lecture. Meetings are informal and shift locations to try to include as many people in different neighborhoods as possible. Members simply attend when and where they can — no robes required.

Although the group discusses different practices and philosophies, every individual has a different faith and practice. Some use altars; others do not. Some might go through worshipping rituals daily, and others might not. Some worship different gods and goddesses than others.

Brashier loves that she “doesn’t need to fit in a mold” while with friends from the Black Hat Society. She also finds the group a relaxing escape from misconceptions about her practice.

“It gives us a place to go where we don’t need to explain to people, ‘No, we don’t worship the devil, and we don’t sacrifice children,’” she said. “Those don’t even agree with our practices.” Brashier remains extremely private about her practice and would not comment on how she practices her faith.

Matthews said that, though beliefs vary, true witches follow two ethical codes. There’s the Wiccan Rede, which says that practitioners can do what they will, but harm no one. Then there’s the Three-Fold Law, which says any evil one does will return to the doer three times over.

“Most [witches] believe in healing and giving of self to community,” she said.

But despite this, many group memebers still face stigmatism. Burston said witches face less adversity than they once did, but suspicion of their practices remains. Matthews has actually had people, who she declined to name, refuse to sell or rent to the Black Hat Society and its members when they found out they were practicing witches and Wiccans.

Though there might be misconceptions about witches so extreme (like the common misconception that they worshipt the devil) that some members haven’t even admitted to their families they practice a neo-pagan faith, Tobey believes that the local network provides most of the necessary support these people need.

“If people have a strong sense of in-group elsewhere, it becomes easier to justify hiding from or being in direct conflict in the outside world,” she said. “They have somewhere else they belong. The new group provides the support and legitimating they’re not getting elsewhere.”

Tobey said that there are many reasons people would continue to practice a “fringe religion,” from rebellion against restrictive religions to the social dynamics of other faiths. In fact, Tobey thinks social interactions are a primary reason some people look for alternative faiths.

“People may explicitly disagree with the teaching of one faith, or they may relate more to the worship style or social structure of other groups,” she said. “Sometimes people just find something else that appeals to one of many aspects in their individual personality.”

Going to the Ball

Currently, the Black Hat Society Network is preparing for the annual celebration of Samhain, the witchs’ holiest holiday, which celebrated in multiple faiths and originated as a Gaelic harvest festival. Members have spent six months planning the event, which is set to take place at the The Pittsburgh Irish Center in Squirrel Hill on Nov. 5 beginning at 6 p.m., Matthews said.

The ball will feature musicians, dancers and artisan booths. The public is welcome to call and purchase tickets, but there are rules.

“We actually begin to joke before the ball, don’t dress up as a vampire, don’t come with green skin or moles, or other stereotypical things,” Brashier said. “Things like that promote the stereotype that you want to get away from.”

And there will not be any stripping naked at midnight. Though there are no lectures, the group wants to educate people.

“If we could, we’d love to create more community with a wave of our hands,” Brashier said. “We want people to be patient, and accepting.”

Friday, October 21, 2011

Lady Antebellum keeps it pop-country on new album

Lady Antebellum keeps it pop-country on new album

http://pittnews.com/newsstory/lady-antebellum-keeps-it-pop-country-on-new-abum/

Lady Antebellum

Own The Night

Capitol Nashville

Grade: B

Rocks Like: Rascal Flatts, Sugarland

Have another heavy dose of musical love and heartbreak.

Lady Antebellum’s latest album is yet another edition to the ever-growing stack of music dedicated to those subjects. But there’s a reason people keep telling these stories — and this release highlights it.

Although the country group has been around since 2006, it’s best known for its sophomore release, “Need You Now.” The LP won five Grammy Awards and received the honor of Best Selling Country Album in 2010. Its title track beat out several front runners for both Song and Record of the Year.

Now, after hitting the studio early this year, the band has released a new album reflecting the lives of its members, examining the trials of falling — and staying — in love.

This latest album keeps with the band’s style of combining country and pop, and the members keep pushing and testing their vocal capabilities. The songs showcase Hillary Scott and Charles Kelley’s pipes and their abilities to convey feelings of loneliness, longing and excitement.

The melodies — more so than the lackluster lyrics — make the songs interesting.

For example, the single “Just A Kiss” is a lyrical cliche, with phrases like, “I know that if we give this a little time / it will only bring us closer to the love we wanna find / It’s never felt so real / no it’s never felt so right.” Yet a fast tempo on the piano along with guitars and drums coming in during the chorus makes the music almost irresistible.

In what could arguably be a response to a common criticism from country fans, not every song sounds poppy.

In “Cold As Stone,” the group eliminates the piano and electric guitars, instead taking an acoustic, simple, country-style approach to the song about heartbreak. What could also come across as yet another silly love song relies entirely on the vocal power of the band, which does an impressive job on evoking a response from the listener.

Interestingly, the last part of the song swings away from acoustic, entering into a sweeping orchestra and flute solo to close it out. The artistic risk works in the band’s favor — the song leaves a lasting impression.

Lady Antebellum took some chances with songs like “Just A Kiss” and “Cold As Stone,” and — although not every song is as memorable as these two — the risks paid off. Own the Night features a bigger and brighter sound than the group’s past releases and represents just another step in the band’s evolution.

Thursday, October 13, 2011

Evanescence’s new album might alienate fans

http://pittnews.com/newsstory/evanescences-new-album-might-alienate-fans/

Evanescence’s new album might alienate fans


Evanescence

Evanescence

Wind Up Records

C

Rocks Like: Flyleaf

The first song on Evanescence’s new self-titled album asks, “Remember me?” That might be the million-dollar question, as this is the first time that the band has released new music in about five years.

Since its first record Fallen, which was released in 2003, Evanescence has gone through major changes. For one, singer Amy Lee is the only remaining member of the original group. With its sophomore release The Open Door, the band switched up its sound to create a smoother, melody-driven line-up of heartbreaking lyrics, soaring vocals and satisfying chords.

Still, the first and second albums sounded similar enough; changes only made the songs more interesting. Now, Evanescence’s self-titled third album risks letting down the band’s original fans.

The first single and opening track, “What You Want,” kicks off the album with the lyrics, “Hello, hello / It’s only me infecting everything you love / Somewhere beyond the pain / There must be a way to believe.”

As always, Amy Lee’s soaring vocal work shines through. But if dedicated fans of the original Evanescence heard this new track, they likely wouldn’t recognize the band. The group’s once simple hard-rock sound has been softened into borderline pop-rock.

At first, it’s not necessarily a bad sound, as there’s still the familiarity of layered guitars and synthesized strings. It’s obvious the band enjoyed playing its usual instruments with a new sound, because the new music is fast and lively — quite different from their slower, more dramatic approach of the past.

And not all of the songs are poppy, either. Songs like “Made of Stone” have a touch of Evanescence’s original hard-rock style, which won’t totally alienate the fans who loved the band from the get-go.

But that good feeling falls away as many of the tracks begin to sound the same, with one or two exceptions. The monotonous sound definitely drags this album down. After four or five tracks of what sounds like the same song, it’s hard not to be bored with the minor keys and muted guitars.

Even the emotional lyrics can’t save the album. For example, “My Heart Is Broken” features some of the original “emo” lyrics of heartbreak that original fans loved: “My heart is broken / Sweet, sleep my dark angel / Deliver us from sorrow’s hold / Or from my hard heart.” But it lacks the haunting beauty of songs like “My Immortal” and “Lithium” and literally blends into the song preceding it.

It’s normal for a band to want to change its sound but with the new album, Evanescence is now a “love it or leave it” band. Maybe the group will gain some new fans with this third album, but the real question is: How many will they lose?

Friday, October 7, 2011

‘Machine Gun Preacher’ an emotion-filled tale

http://pittnews.com/newsstory/machine-gun-preacher-an-emotion-filled-tale/

‘Machine Gun Preacher’ an emotion-filled tale


“Machine Gun Preacher”

Starring: Gerard Butler, Michelle Monaghan, Michael Shannon

Director: Marc Forster

Studio: Apparatus, Safady Entertainment, 1984 Private Defense Contractors, Mpower Pictures

Grade: B+

“Machine Gun Preacher” is exactly what it sounds like, but the story is more complex and poignant than the title would suggest.

The film begins in 2003 with graphic images of a child captured after an attack and given a choice: kill his mother, or die. After this scene, the main character Sam Childers (Gerard Butler) is seen leaving an American prison. He returns to his family and, after hitting rock bottom, decides to rebuild his life. He soon finds faith in God and begins a construction business.

When a visiting pastor speaks at his church, Childers decides to go to Sudan for several weeks to help rebuild parts of the country. What begins as a short-term philanthropy project evolves into a full-time job. When Childers sees masses of children living in fear of a rebel army — the Lord’s Resistance Army — that abducts them, he cannot turn his back knowing that the international community has failed to address the problem.

Childers begins working to save as many children from the army as he can by picking up a Bible, a hammer and a machine gun, earning two nicknames — the White Preacher in Uganda, and the Machine Gun Preacher in the United States. As the film progresses, Childers focuses more on his projects in Africa than his family at home as the war takes a toll on him.

The film tells a story of determination, faith and survival, and does so beautifully. Butler and the rest of the cast do their jobs with stunning conviction, especially later in the film as the horrific sights Childers sees begin to wear him down mentally and physically.

One flaw this film does have, though, is pacing. As the film moves forward, it’s hard to tell exactly how much time has gone by. Questions like “How old is this man now?” and “How long did this project take?” are left unanswered.

A second flaw in the film is the exclusion of other groups involved in eliminating child soldiers, which is a real shame considering there are people working hard in Africa even today. Instead, the film portrays Childers as one of only a few people who cares enough to help.

Despite these flaws and any liberties this “based on a true story” tale took in its making, this movie balances entertainment, shock and raw emotion surprisingly well. Somehow, the writers and director have balanced humor with blood, death and missing limbs — all in a way that does not disrespect the victims of this conflict.

The film’s credits feature statistics, commentary on the conflict and actual photos and film of the people and children involved in this bloody conflict. It also includes a video of Childers asking, “Who wouldn’t pick up a weapon to defend their children?”

Whether or not people agree with Childers’ methods or not, this film will not disappoint. Still, when they settle down to watch, viewers should probably have some tissues handy.

Thursday, September 29, 2011

Blessed Feathers’ album eery and emotive

Blessed Feathers’ album eery and emotive

http://pittnews.com/newsstory/blessed-feathers-album-eery-and-emotive/

From the Mouths of the Middle Class

Blessed Feathers

Listening Party / Cakes & Tapes

B-

Rocks Like: Bon Iver, Fleet Foxes

Blessed Feathers is the kind of band that exemplifies the low-budget sensibility and wandering curiosity necessary to record an album in the group’s apartment.

That’s the story behind Blessed Feathers’ newest album, From the Mouths of the Middle Class. The band spent the winter of late 2010 and early 2011 writing and recording an indie folk album that will haunt listeners.

The music itself isn’t eerie, but Blessed Feathers has a way of writing simple, yet stirring music using guitars, accordions and banjos. Both the band’s instrumentation and lyrics are minimal.

And it works. This album speaks of restlessness, and most of the songs describe treks through the country driven by a search to satisfy an ambiguous desire. The first track, “By Song Through The Americas,” illustrates this perfectly with the lyrics, “I took a trip across the Southern states / And I felt the heat, sweat bead along my face / But we’re lost in the woods / Trading thoughts for goods.”

Later in the same song the band sings, “I wish that I could hitch a ride / And pay my bills at the same time.” The band’s chosen string instruments — particularly given their association with wanderers — set the mood and complement these lyrics perfectly.

On another track, “Apple Blossoms,” the singer merrily declares that there are “apple blossoms in my hair.” Completing the picture, the music imitates hand clapping and picks up the pace to transport listeners to a lively festival. The only problem with this song is that it only lasts a minute and a half, leaving listeners feeling unsatisfied.

Still, the album isn’t flawless. During “Somebody Else’s,” the group sings, “Thinking about love / somebody else’s,” but the last syllables of the lyric slur together. If there’s a meaningful end to this lyric, it is lost. Unfortunately, this isn’t the only time the album suffers from a lack of good enunciation.

However, this is a satisfying album overall, featuring music that would fit right in with Pittsburgh’s own folk music scene.

Tuesday, September 27, 2011

Staying healthy important but difficult in college

http://pittnews.com/newsstory/staying-healthy-important-but-difficult-in-college/

Staying healthy important but difficult in college

Posted on 26. Sep, 2011 in Magazine

A double major in the business school, 18-credits this semester, a job as an RA — Pitt student Leanne Ikeda is busy. But every week, she fits exercise into her routine.

“I plan exercise,” Ikeda said, explaining that she heads out to the gym every other day when possible. “It’s an important part of my routine for me, because it’s time just for myself. I try to work out at least every other day.”

Ikeda is only one of Pitt’s more than 17,000 undergraduate students trying to find time to live a healthy lifestyle while at college. Fortunately, Pitt provides numerous resources to help students ensure their regular routines are actually healthy and effective.

The two habits required for staying healthy, eating right and staying active, prove to be especially challenging for students. To stave off college weight gain, it’s crucial to maintain a balanced diet and avoid the temptations to over eat at buffet-style dining areas and 24-hour establishments. It’s tough to squeeze in time to work out — and the U.S. Center for Disease Control recommends two and a half hours per week.

Marian Vanek, director of Pitt’s Student Health Service, encourages all students to exercise, even if they can’t do so very often.

“Research has shown that as little as 15 minutes of moderate intensity exercise per day may reduce mortality risk,” Vanek said in an email. She added that any exercise encourages healthy hearts, stronger bones, more energy, and better immune systems, and that too few people exercise even a little bit on a weekly basis.

And exercising doesn’t need to be limited to Pitt’s multiple gyms and recreation centers, Vanek said.

“Brisk walking, jogging and swimming are ways to boost your heart rate,” she said.

Take student Jennie Snyder — a senior double majoring in Spanish and communication — who’s also taking 18 credits in addition to her other responsibilities in campus organizations.

Snyder exercises four or five days every week. She can be found either using the treadmill at one of Pitt’s gyms or jogging in the park or up to Shadyside or Squirrel Hill.

By exercising, these Pitt students are also doing more than taking care of themselves physically: They’re all getting a great mental-health boost as well, according to Vanek.

“Exercise ... affects the brain; it encourages a good mood and reduces stress hormones in our bodies,” Vanek said. “Research teams have found that exercise has been shown to improve memory, attention and decision-making abilities — especially important to the college student.”

Exercise also helps keep weight in check. Researchers at Oregon State University found that a quarter of students gain at least five pounds over the course of two months early in their first year of college.

But exercise isn’t the only component to healthy living — eating right factors in as well.

Snyder eats “as many fruits and vegetables as possible” during the day. She even eats a larger, well-balanced breakfast with protein, fruit and dairy products. And she avoids late-night snacking.

Ikeda has taken healthy eating further. She recently made the decision to see Meg Mayer-Costa, the nutritionist at the Student Health Service. She hopes to take her healthy living one step further by following a healthier eating regimen.

“It’s tough on a meal plan,” she said about healthy eating. “The options aren’t as widespread.”

When students visit Student Health to meet Mayer-Costa, appointments begin with certain questions about their living situations, weights, supplements, medications and daily diets. Because every student is different, each has to be approached differently when developing a healthy-living plan, Mayer-Costa explained.

What might work for Ikeda’s healthy lifestyle might not work for another student. And by going into the nutrition center, students can learn about what’s helpful for them.

For example, although Ikeda doesn’t use them, Snyder takes vitamin C tablets because they “[make] me feel better when I think I’m catching a cold.”

Snyder contributes to a $25 billion business in the U.S. by taking these vitamin supplements. Unfortunately, it’s a myth that vitamins can cure illnesses or make up for a poor diet. Recent studies released by the Archives of Internal Medicine have shown that multivitamin use does not give us the healthy boost we once thought.

Although Mayer-Costa said that multivitamins might provide a “safety net” by adding small amounts of necessary nutrition to a daily diet, the pills cannot make up for a poor diet. And she said doctors don’t prescribe them to treat a disease because taking Vitamin C during cold season isn’t going to cure those sniffles faster.

Plus, multivitamins and the medications individuals take don’t always mix well, so everyone should consult their doctors about taking multivitamins in relation to their health needs, Mayer-Costa said.

“Students ... can take too much, too often, and [the supplements] can also interfere with each other and other medications,” Mayer-Costa said. This is why vitamin pills come in low dosages that are supposed to be taken once or twice a day.

Ikeda and Snyder keep in touch with their respective doctors and visit every year or two to make sure nothing is wrong with their physical health. They agreed that Wikipedia and WebMD aren’t substitutes for taking care of yourself. And thanks to their efforts and doctor’s visits, both have found a formula that works for them.

The best way to determine a great personal exercise routine or diet is by consulting a doctor and seeing what works best for the individual, Mayer-Costa said. Personal trainers and doctors can recommend sound work-out routines in addition to nutritional advice.

Thursday, September 15, 2011

MH the Verb album unlikely ‘Cult Classic’

http://pittnews.com/newsstory/mh-the-verb-album-unlikely-cult-classic/

MH the Verb album unlikely ‘Cult Classic’


Cult Classic

MH the Verb

Classic Cult Music

Grade: C+

Rocks Like: Kid Cudi, Jay-Z

When artists release new CDs, they have a few choices: They can continue with their old style, change their tune, or find a way to combine the two and make a recognizable, fresh sound. Pitt graduate Marcus Harris, a.k.a. MH the Verb, faced this same decision when writing his first solo album to showcase his talents.

In the past, MH was known for his ability to combine live instrumentation with electronic music. Many of his songs also highlighted social justice issues, calling for activism and a better world.

Whether he’s made more music along those lines is debatable. His first track, “Winter In America,” does a good job integrating a historical speech — President Franklin Roosevelt after Pearl Harbor — with a typical hip-hop beat line. It’s soft at first, but grows in intensity as the song goes on, until it drowns out Roosevelt’s words and expands to include MH’s usual style of hip-hop meets electro-pop.

This opening transitions into a fast-paced, fast-spoken song that proclaims in the first few lines that the reason there’s “blood in the oceans” is because of humanity’s many flaws. The song, in general, is a critique of America. It obviously has a message to deliver, but it doesn’t inspire action so much as express MH’s anger.

The song “More Time” goes, “What would you do with a little more time / if you could stop the clock / and watch the world rewind?” It’s gentler in delivery, with a simple combination of drums and synthesizer notes. It’s a good, solid song for MH that says one day people will get themselves together.

But those two tracks are in stark contrast to other songs, many of which are flirtatious club rap songs, like “Lights Off.” And the song “So Good” is a tribute to a girl who things didn’t work out with — complete with descriptive language about their sex life. It’s hard to see how this fits in with MH’s usual routine and his history as a socially conscious rapper.

There are certainly some good ideas in an album that could have been much more powerful and captivating. It simply does not do MH justice.

Wednesday, June 29, 2011

‘Cars’ sequel a lemon

http://pittnews.com/newsstory/cars-sequel-a-lemon/

“Cars 2”

Starring: Owen Wilson, Larry the Cable Guy, Michael Caine

Director: John Lasseter and Brad Lewis

Studio: Disney/Pixar

Grade: C

It’s a sad day when a Pixar movie disappoints.

Disney/Pixar’s newest film, “Cars 2,” celebrates Pixar’s 25th year of animation. Unfortunately, it seems the studio forgot some things about what it takes to make a good sequel.

“Cars 2” begins in the middle of the Pacific Ocean as spy car Finn McMissile (Michael Caine) begins to gather information on a vague — but obviously dastardly — plot that appears to be organized by villainous Professor Zündapp (Thomas Kretschmann).

Cut to Radiator Springs, where Lightning McQueen (Owen Wilson) still lives with his friends, including Mater the tow truck (Larry the Cable Guy), during his offseason from racing. After another car, Francesco Bernoullii baits him to travel to and race in the World Grand Prix, McQueen begins to fight with Mater, whose redneck habits embarrass him. Then, following a series of coincidences, Mater is mistaken for a secret agent who’s supposed to meet with McMissile.

The entire film becomes an action-packed series of Mater-driven shenanigans filled with explosions and jokes, meant to convey a message about being yourself and cherishing your friends. Too bad it doesn’t work.

Remember the first film, where McQueen was forced to slow down in a small town? The film had a relaxed atmosphere, with developed and realistic characters who told a relatable story. It wasn’t perfect — some critics complained that the first film was too slow — but it was still enjoyable.

The sequel overcompensates— it’s too fast. Character development and tension got torn out because there’s no time for anything to develop, and the story drags audiences along without time to fully enjoy the jokes. And the action almost completely hides the message the movie tries to deliver.

Worse, the fast-paced drive of this film completely undermines the point of the original — slowing down. Pixar doesn’t take the time to combine the best of both worlds to create an interesting, fun sequel with some emotional depth. Instead, it makes “Cars 2” pure action.

As an added blow, most of the old characters (minus Mater) feel hollow during their 10 minutes of screen time. Mentor Doc Hudson, voiced in the first film by Paul Newman, disappears completely after the actor’s death, and with him goes one of the strongest characters. The others, including McQueen, receive the same kind of treatment, with lazy voice acting and poor characterization failing to add familiarity to what already feels like a brand new world.

Both best and worst of all, the film begins with a traditional short story clip about the characters from “Toy Story” following the conclusion of the third film. It coaxes a smile out of fans while also delivering a punch in the gut, as Pixar reminds audiences that it has made sequels that surpassed their predecessors.

Perhaps one of the only saving graces in this film is Michael Caine’s voice-acting and the new characters, which distract from the various disasters going on elsewhere. In addition, the animation impresses and creates a decent atmosphere by capturing the excitement of traveling the “Cars 2” world, the elation of flying through the air and, occasionally, the suspense from the nefarious plot that’s afoot as bullets and explosions threaten Mater and the spy cars..

Still, the animation cannot repair the damage done to this established franchise. Frankly, Pixar should have made this story into a film independent of “Cars.” As is, it completely ignores the themes of the first film and accordingly — aside from the familiar characters — barely feels like an actual sequel.

While it has its moments, “Cars 2” turns so far away from its predecessor that it’s almost unrecognizable. In the end, it’s just an immature film which deviates from Pixar’s style of appealing to both children and adults. Better luck next summer, Pixar.

Wednesday, June 8, 2011

Fifth film explains enmity between Professor X and Magneto

Fifth film explains enmity between Professor X and Magneto

http://pittnews.com/newsstory/fifth-film-explains-enmity-between-professor-x-and-magneto/

“X-Men: First Class”

Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence

Director: Matthew Vaughn

Studio: Marvel Entertainment

Grade: B

The third “X-Men” film was iffy and the fourth flopped — so when the trailers for “X-Men: First Class,” a prequel to the former flicks, first appeared, fans of the original movie groaned.

But those fans might have lamented too quickly. “X-Men: First Class” breathes new life into the series with an energetic cast and an action-packed story. The plot shifts its focus from the franchise’s main characters, instead telling the tale of a newly varied group, including two of the big players from previous installments, Professor X and Magneto.

The “X-Men” series explores a world in which human mutations have created beings with special powers. Themes of prejudice and acceptance dominate throughout as mutants attempt to co-exist with normal humans, who often fear or loathe the powerful hybrids.

“First Class” focuses on the leaders of the future mutant movement as young adults living during the Cold War.

The movie departs a bit from the storyline of the “X-Men” comics, which is understandable — as so many variations exist in the comics that translating the complex stories to the screen creates headaches for directors. It’s refreshing to see filmakers take inspiration from original source material while putting their own spin on the story.

The film features the younger versions of telepath Charles Xavier (James McAvoy), later known as Professor X, and Erik Lehnsherr (Michael Fassbender), called “Magneto” because of his ability to generate and control magnetism.

“First Class” begins with the young Erik losing his mother in a concentration camp during the Holocaust. He spends the following years hunting down those responsible, seeking revenge. Meanwhile, Charles lives with Raven (Jennifer Lawrence), a shape shifter, as the pair of close friends study at Oxford.

When a CIA agent comes to Charles for help, fate brings him and Erik together during a brief fight against the film’s villain, Sebastian Shaw (Kevin Bacon) — a man from Erik’s past intent on causing nuclear war. The two then team up to track down mutants around the world as they search for potential help against the enemy.

Throughout the film, Charles believes that the good he and his fellow mutants can do for mankind will outweigh the bad. Erik, doubtful, plows ahead with plans of revenge on Shaw.

For fans of the franchise, it’s blatantly obvious during the film what the final outcome will be — Professor X and Magneto as enemies. Despite this, Matthew Vaughn spins a tale interesting enough to keep all viewers entertained during the journey.

The characters are rounded overall: Their personalities develop over time, and they deliver some humor along the way. They interact well as comrades and also gradually exhibit the fear and betrayal that is inevitable in the story.

One of the best — and worst — parts of this film are the attempts to connect it with the other parts of the franchise, such as showing the design for the ship used in previous movies. They don’t always work and will sometimes leave fans scratching their heads. But the film is generally tied together well andfeatures cameos from a few recognizable and much-loved characters — including one vulgar appearance from the universal favorite badass of the series.

This film never quite succeeds in making the setting feel like the 1960s: The characters feel, dress and act too modern to pull the time period off. But this is a minor pitfall. There are times when the performances, too, lack believability because of those too-modern touches, but that’s quickly forgotten during the riveting final battle.

Overall, this is a slightly flawed but fun addition to a popular series, and it certainly signals an upswing from the last two “X-Men” movies.

Wednesday, June 1, 2011

‘Kung Fu Panda 2′ leaves room for more movies

‘Kung Fu Panda 2′ leaves room for more movies

http://pittnews.com/newsstory/kung-fu-panda-2-leaves-room-for-more-movies/

“Kung Fu Panda 2”

Starring: Jack Black, Dustin Hoffman, Angelina Jolie, Gary Oldman

Director: Jennifer Yuh Nelson

Grade: A

A villainous peacock is out to take over China and must be stopped by a band of epic kung fu warriors — one of whom has a personal connection with the terrifying enemy.

It sounds laughable, but DreamWorks managed to convert this incredible concept into a legitimately dramatic and tearfully emotional plot in the making of “Kung Fu Panda 2.” The animated action comedy might now become a six-part series as its success continues.

Fans of the first “Kung Fu Panda” should remember how the adventure began: A panda named Po (Jack Black) worked with his father in a noodle shop while dreaming of being a kung fu warrior fighting alongside the Furious Five, a group of famous martial artists, each of whom practiced a different style of fighting. Po turned out destined to be the sixth fighter — the Dragon Warrior. The first film left off with Po having earned the respect of his peers.

“Kung Fu Panda 2” picks up from there, and viewers follow the story of the previously dysfunctional band of warriors who have forgotten their differences and begin to work together as an intimidating team.

The group’s next task is to defeat Lord Shen (Gary Oldman), a white peacock who commands an army of wolves, uses machinery and cannons to defeat his enemies and plans to take down all kung fu warriors. The Furious Five and Dragon Warrior must defeat Lord Shen to save China as well as the art of kung fu.

Along the way, though, Po finds himself struggling with his past. He ultimately must find inner peace to master the next step in his training and defeat Lord Shen.

This film is surprisingly epic. Whereas the first film focused on a small group of characters facing a single enemy, its sequel pits the team of warriors against entire armies.

The voice cast strengthens the film throughout. Oldman makes for an impressive villain. Jack Black and the other cast members certainly portray their characters well and achieve an emotional energy that draws in the viewer.

The lifelike animation makes the kung fu scenes in the film phenomenal; — animators obviously paid attention to detail. The direction increased the scale of the project for film two and created larger scenes with more fighters, moves and effects.

Between the images, character development and acting, “Kung Fu Panda 2” is not only dramatic and action-packed but also intense and emotional. It runs the risk of bringing tears to viewers’ eyes as they learn about what happened to Po and why he ended up being raised by a goose rather than by his biological parents.

The only real downfall of the film is that occasionally the humor doesn’t work. Some jokes act as throwbacks to the first film and don’t quite function in the dramatic mood being set by such a large adventure. Still, this only serves as a minor and forgivable pitfall.

Don’t be surprised when a third “Panda” comes out — the ending of this movie was as clear a sign for a pending sequel as we’ll ever get.



Wednesday, May 18, 2011

Band finds member and is discovered online

Band finds member and is discovered online

http://pittnews.com/newsstory/band-finds-member-and-is-discovered-online/

August Ruins

The Smiling Moose (1306 E. Carson St.)

Saturday, 7:30 p.m.; 21+

$5

412-431-4668

Pitt senior Kory Caldarelli didn’t know that joining a band through a Craigslist ad would eventually land him a contract with a major record company.

This year the punk band August Ruins, composed of members Caldarelli, Eric Sebula, Reggie Little and Butchy Sebula, signed a contract with From The Depths Entertainment in summer 2010, an indie label located in Reading, Pa. Vocalist and guitarist Eric Sebula is a Pitt junior and drummer Caldarelli is a fifth-year Pitt senior, double majoring in anthropology and music. The band is now preparing to go on its first tour and will play at the Smiling Moose on Saturday.

Caldarelli joined when the group was in the midst of change. The band developed a sound different from their previously screamo metal vice, changed its name and line-up, then set out to find a new member — Caldarelli.

Caldarelli found the band’s ad on Craigslist and learned that all of its members were from Irwin, Pa., his original hometown. He joined the band in 2008. From the beginning, August Ruins was different from the other groups he performed with, he said.

“We did intend to go somewhere,” Caldarelli said. “We had the same goal in mind. We were all in bands before that weren’t too serious. So from the beginning, we wanted to be dedicated to this.”

One year later in 2009, the newly named August Ruins released an EP album titled The Ghost and the Gasoline. The band worked on songwriting and constantly looked for venues to play, hoping the hard work would pay off.

It did, when From The Depths Entertainment found recordings of August Ruins’ music, despite the group never having contacted the label. It’s typical for the company’s employees to search for sounds online and contact bands they like, according to band manager Mike Bohn of From The Depths Entertainment.

“We go out and find the artists rather than just letting them come to us,” Bohn said. “August Ruins had that sound that we couldn’t really ignore. They’re bringing back catchy punk-metal that can be played on the radio.”

Once he was convinced that the band’s sound was perfect for the company, Bohn got in contact with August Ruins. The company invited the band to meet in Philadelphia, but the two parties mostly conferenced by way of phone calls because the band was not able to travel across the state.

“We met with Mike and he liked us. Everything just kind of moved forward from there,” Caldarelli said.

And according to Eric Sebula, everything moved quickly.

“We recorded. We recorded again,” he said. “We had an indie record deal in three months. Now we have a major label consideration. I’m not sure how this all happened. I’m not going to complain.”

August Ruins currently has an independent promotional label with its record company giving the band extra help and money to work on the legwork for the band.

“Right now, they do everything I can’t stand doing,” Sebula said. “They do management. They promote us. They call venues. They literally speak for us. They do things that would take us weeks to do in days.”

Producers also helped the band tweak its sound even more, helping it create more and more of a punk vibe that moves away from its metal roots.

“It’s more like a mutual understanding,” Bohn said when describing the relationship between the company and the band. “We don’t interfere with their direction, and they understand they need to work hard ... And their hard work is paying off. They were a featured artist and were on a Billboard chart for a while.”

The band now has even more time to work on its music as it prepares to tour over the summer. When the group isn’t together, Sebula often composes at the small recording studio in his house.

The band tweaks it when the members come together, but Sebula writes a majority of the first draft and e-mails copies of it to his fellow band players. He feels their songs have some intelligence and an opinion without becoming too political.

“It’s underground punk rock,” Sebula explained. “It has a message, even if it’s hard to pin down.”

The band is intent on touring and writing a full-length album while the band members have the time in the midst of school and work, Sebula said.

“It just keeps getting bigger and bigger,” Caldarelli said.



New CD more upbeat than last one

New CD more upbeat than last one

http://pittnews.com/newsstory/new-cd-more-upbeat-than-last-one/

Friendly Fires

Pala


XL Recordings

B+

Rocks Like: Phoenix, Passion Pit, Empire of the Sun

Four years after releasing its debut album, Friendly Fires is back in action with a new release — as well as a tweaked sound — that’s hard to resist.

Friendly Fires still sounds like dance punk, but the band’s mood isn’t as somber as it used to be. Though certain tracks on Pala, particularly those that reach back to the band’s old sound, aren’t extremely uplifting, just as many preach about enjoying life in its present state. That variety affords the album a satisfying balance between new and old.

The band’s music combines a punk sound with a dance-club beat while adding a dash of percussion and funk. The result is a pretty darn appealing sound. The track titled “True Love” especially benefits from this combination of influences — the band takes a common topic and an overused title and brings it something fresh.

But not every song is happy — “Chimes” dials up the funk with lyrics like, “Kissing the lights / Missing your love / All through the streets / You’re on my mind.”

Another song, “Helpless,” uses the image of a rising tide to describe feelings of drowning and despair, complete with seagull sound effects to enliven the impression of a nearby vast ocean. This is a strange track — while other songs include appropriate mood music, it’s hard to tell what this one is trying to do. It’s as if the band tried to combine its old somber sound with its newer, upbeat sound. It didn’t necessarily work.

As with most albums, the singer’s voice is not always distinct from the music. Although some songs are perfectly understandable, others are not.

Overall, though, this album is solid and perfectly paced. Hopefully this band won’t take another four years to release something good.



Sunday, April 24, 2011

Share Jazz singer’s crooning charming

http://pittnews.com/newsstory/jazz-singers-crooning-charming/

Jazz singer’s crooning charming


’Round Midnight

Karrin Allyson

Concord

Grade: B+

Sounds Like: Jane Monheit, Diana Krall

Cabaret at Theater Square

Tomorrow, 8 p.m,

Tickets $25.75 - $30.75

(412) 456-6666

www.culturaldistrict.org

21+

With three Grammy Awards under her belt, American jazz vocalist Karrin Allyson has some high expectations to meet with her upcoming album ’Round Midnight.

And she will meet those expectations. Allyson’s style is full of charm for jazz lovers. Her vocal work is impressive: She can switch between sounding soft and heartfelt to sounding low and even scratchy, bringing in a wide range of emotional depth through her voice alone.

The lyrics add to the depth and variation of her songs, with some offering insight into heartfelt moments and others invoking bittersweet or even angry memories of love gone wrong. The words themselves are beautiful, like in “I’m Always Chasing Rainbows,” where Allyson sings, “I’m always chasing rainbows / waiting to find a little bluebird in vain.”

Every track is strong but quiet in its musical delivery. Take “Goodbye,” a ballad about lovers parting ways, in which Allyson softly sings, “So you take the high road and I’ll take the low / it’s time that we parted, it’s much better so / so kiss me as you go / goodbye.” Here the music draws listeners in, ambling along with a slow piano, guitar and assortment of percussion instruments.

The percussion adds a layer to the mix and serves as a pleasant addition in the lulls between lyrics. In the end, however, the piano and vocals are this album’s strongest points musically.

Allyson’s songs are all well-thought-out, smoothly composed and haunting, resonating even after they end. Jazz lovers will be pleased, and the genre might even gain a few new fans with the release of this album.

Pittsburgh Opera honors executed nuns

http://pittnews.com/newsstory/pittsburgh-opera-honors-executed-nuns/

Pittsburgh Opera honors executed nuns

“Dialogues of the Carmelites”

April 30 – May 8

Directed by Eric Einhorn

Benedum Center

$20-$150

www.pittsburghopera.org

412-456-6666

“Dialogues of the Carmelites” might have been written in 1957, but its story goes back to 1794.

Next weekend, the Pittsburgh Opera will present its final show of the season: a three-hour long French opera created by Francis Poulenc. The story takes place during the French Revolution and focuses on the Martyrs of Compiègne, the 16 nuns who were guillotined in 1794 during the final days of the Reign of Terror in France.

Taking part in the show is Amanda Majeski, who plays the character Blanche. Blanche leaves her wealthy family to go to a convent, dreaming of taking control of her life and making a difference in the world. Soon, however, a series of events destroys the relationships Blanche forms at the convent, leading to the dramatic conclusion when the remaining nuns decide how much of a sacrifice they’re willing to make for their faith.

Although Blanche experiences a seemingly unending series of traumatic events, Majeski enjoys playing the character.

“She goes from a child rebelling to an adult in three hours,” Majeski said. “It’s a dramatic story tied up in beautiful music.”

Nevertheless, the role is an exhausting one: The singing is a challenge even for someone trained in opera, Majeski said.

“It’s much more disciplined singing,” Majeski said. “It takes a lifetime of practice and you have to make a beautiful sound while being dramatically interesting.”

Though operas have translator scripts that flash above or beside the stage, Majeski’s job is to act in a way that will allow people to know how a character feels without necessarily needing to read anything.

“I’m sure if you didn’t look at the supertitles, what we do with our voices and action would speak through,” she said. “But you do want to know the details.”

All of the cast currently spends a minimum of six hours a day in rehearsal, under the eyes of multiple directors, including William Powers, director of administration and artistic operations. Powers has the job of overseeing rehearsals to watch for problems that others might miss, such as script mistakes. He also checks in with the cast to make sure everyone is comfortable and understands their role.

So far, Powers said his job has been relatively easy.

“Every time I go in though, they’re discovering another layer and bringing the story alive,” he said. “It’s also a fascinating story. The drama and the actual story this is based on is remarkable and hardly told.”

The history of the opera is something taken into constant consideration, by the French conductor Jean-Luc Tingaud as well as by Powers.

“I asked him how well these nuns are known [in France], but he said they aren’t very well-known,” Powers said. “They’re really buried in a mass grave. There is no dignity to that. But the dignity comes alive in this opera and its acting. This opera asks hard questions. What do you believe in? How firmly do you believe? What will you give up for your beliefs?”

In Powers’ experience, most people think of older operas from different musical periods when they imagine what these shows sound like. Although “Dialogues” was heavily influenced by artists of the past, this opera has its own distinct style.

“The musical medium is different from, say, Mozart,” Powers said. “We are able to explore the breadth of the repertoire. It’s a different musical medium. Here’s a medium that should be heard that draws upon the composers of the past and even revolted against them.”

Planning for the show began as early as January 2010 at the Pittsburgh Opera, said Debra Bell, director of marketing and communications. One issue the Pittsburgh Opera dealt with is the fact that “Dialogues” is not as well known as other operas.

“It sounds so different from Italian in the language and the style,” she said. “This opera is an opera but it’s small, intimate and thought-provoking.”

The Pittsburgh Opera has made a point to emphasize that this is a serious show with strong religious themes and what they consider a fantastic and inspirational ending, Bell said.

Even the cast received some help getting into character from the Pittsburgh Opera: They received study guides exploring the history of the events behind the show at one of their first meetings in the beginning of April.

“This is a show that just hits you,” Bell said. “We say this is a show that may change your life. Opera has definitely changed my life. I’ve wept like a baby at shows. They can bring issues of all kinds to a personal level.”

Thursday, April 21, 2011

Gallery aids three craft makers in art journeys

http://pittnews.com/newsstory/gallery-aids-three-craft-makers-in-art-journeys/

Gallery aids three craft makers in art journeys

“Bridge 11”

Lia Cook, Mariko Kusumoto, Anne Drew Potter

Society for Contemporary Craft Main Gallery

2100 Smallman St.

412-261-7003

Free

One local gallery is trying to help artists who stand on the bridge between obscurity and fame.

The Society for Contemporary Craft on Smallman Street is one of the only museums dedicated entirely to crafts in the Steel City. They display what the center calls “craft media,” which encompasses almost all arts except paintings and photography and is made with materials such as clay, wood, fiber, glass and metals, said Kati Fishbein, exhibitions coordinator for the SCC.

“We really try to show craft artists from around the world who are technically skilled,” Fishbein said.

The Bridge Exhibition Series, now in its 11th installment, began in 1988 and takes place every two years at the gallery and features artists throughout the nation. The exhibitions display the works of people in the middle of their career.

“They may not be very well-known, but they’re past the emerging stage,” Fishbein said. “They have a solid background and body of work. So these shows celebrate artists in the middle of their career.”

This year’s Bridge exhibit features about 30 to 40 pieces created by three artists invited to the exhibition by the SCC.

One of the three craftmakers is 34-year-old Anne Drew Potter, an artist who began working with ceramics as a young child.

Potter has a figurative installation on display composed of 16 sculpted ceramic figures. Most of the figures seem to be talking at the same time in one circle, while another figure sits alone to the side.

The piece is meant to deal with the idea of individual versus group identity, Potter said.

“The art is representational,” she said. “There’s recognizable imagery and they look human. But they’re ambiguous, too. You can’t tell what gender or age or race they may be. So the people are both recognizable and not recognizable.”

This sort of distortion in image as well as the theme of isolation versus inclusion are attributes of most of Potter’s work, the artist said.

“It goes down to my interpretation of how we deal with the identity of self and how we rely on ourselves, but we also rely a lot on group dialogue and conversation of the outside world to try to structure our understanding,” she said. “We need to have a sense of belonging, but we need to have a self of selfness from our own bodies. So individual versus group identity is just an inherent tension.”

While Potter is looking for viewers to interpret her message, 68-year-old Lia Cook is looking to get feedback.

“I just want a response,” Cook said about her artwork. “I’m listening. I’m very interested in hearing from people.”

Cook mostly works with fibers and weaves artwork out of the material. Bridge 11 features a series of woven canvases of various sizes that resemble photographic faces. Some images are clearer than others, but they are all the result of a combination of modern looms run by computers and Cook’s ability to create and alter the images in Photoshop.

Cook has worked with various art techniques since the 1970s. She originally dabbled in painting, sculpting and photography before discovering an interest in weaving after a trip to Mexico. Over the years, she has found that the human touch is a subject appeals to her.

“I’m really interested in the hand,” Cook said. “There’s a lot of things about hand-made now [in our culture], but what about the hand itself? What does the evidence of the hand -made bring to our experience?”

With this in mind, Cook creates pieces that have “depth” and pieces that people want to touch, she said. There’s no agenda behind her works beyond curiosity for the responses people will have.

“Everything is more personal,” she said. “I’m not interested in telling anyone a story. I’m interested in people’s associations with their own personal stories.”

The final artist, Mariko Kusumoto, has a number of smaller pieces made from various metals and woods on display at the SCC gallery. Kusumoto’s style employs traditional Japanese forms and adds in Western influences, which leads to the creation of objects such as small teapots or Japanese doll displays with Western images or symbols. Many of her collapsible pieces are similar to a pop-up books — if examined closely, more and more components of the pieces become visible. One of the pieces, a box shaped like a house, opens to expose numerous carvings of imagess such as people and birds.

Cook feels that the way the gallery is set up — leaving a lot of room between the pieces — helps display the three different artists’ work well.

“You can walk around,” she said. “There’s space. You can see things from multiple angles and engage in them.”

All of the pieces contribute to the idea of promoting and respecting craftsmanship, Fishbein said.

“There’s a definite technique that needs to be mastered,” she said, speaking about the art mediums found in the SCC and the Bridge 11 exhibit specifically. “There’s a more homely background to it, such as the fibers and weaving. These are all mediums that, in the history of art, have not been welcomed into the world of fine art. They’re considered more part of the craft world.”

Friday, April 15, 2011

Handmade Arcade attempts local DIY revival

http://pittnews.com/newsstory/handmade-arcade-attempts-local-diy-revival/

Handmade Arcade attempts local DIY revival

Handmade Arcade

David L. Lawrence Convention Center

1000 Fort Duquesne Blvd.

Saturday, 11 a.m. – 7 p.m.

Free Admission

In 2004, 32 vendors served about 1,000 attendees at a craft fair. Now, in 2011, 120 vendors will serve a crowd that, last year, numbered 10,000.

Currently in its seventh year, the annual Handmade Arcade has grown over time into a mixture of a craft showcase and a social event and has become a champion of locally made eco-friendly goods. The items sold can vary, but include jewelry, children’s toys, clothing, art prints and sometimes bath products.

The Handmade Arcade might not be one of the biggest craft fairs in existence, but it has the distinction of being “one of the first indie craft shows in the country,” said Rebecca Morris, an organizer and Pitt alumna.

The joy of the Handmade Arcade, Morris said, comes from the way it goes “back to a simpler way.”

“With so many mass-produced items, it’s nice to appreciate something handmade,” Morris said. “Here people can meet the maker, which isn’t something you get to do with a typical transaction.”

For Jennifer Baron, who is both an organizer and vendor, being involved with the Handmade Arcade has been a “natural process” from the start. Before the Handmade Arcade began, Baron started an online craft store with her friends in New York and began selling greeting cards on the website Etsy under the name Fresh Popcorn Products, a tribute to her favorite snack food.

Baron eventually moved back to Pittsburgh and expanded her interests. She began collecting vintage food packaging, made patches out of recycled fabric to sew onto shirts and fashioned shirts and tote bags.

“Before this even started, I’d traveled to national craft fairs,” Baron said. “Friends and I were carpooling across the country. We saw a need for this in the city. There was a void.”

When Baron saw a flyer advertising the Handmade Arcade, she signed up at once. She sold her handmade shirts and collages at the event in its first year and soon found herself assisting in organizing the entire fair.

Others have returned to Pittsburgh for business reasons. But vendor Jenn Gooch is a “Pittsburgher by choice,” moving to the Steel City from Texas after attending Carnegie Mellon for graduate school.

“The nice thing about Pittsburgh is it’s one of those places you can afford to live and pursue things you wouldn’t be able to pursue otherwise, like crafts, art and music,” Gooch said.

Although she sewed as a child, Gooch is relatively new to the craft scene. She began making scarves and hats to sell about a year ago, after wanting to redesign a hat she purchased but didn’t particularly like. What began as making items for herself turned into a small business, as friends expressed interest in the items as well.

“It’s one of those things that if you find what you really like, it may be expensive or not interesting enough,” Gooch said. “I like hats, but it’s a dying art as far as having a local hatmaker goes.”

Gooch’s hats are handsewn and usually made out of panels of separate pieces and various materials picked up at thrift stores, she said.

While Gooch’s interest and business are relatively new, Baron said her interest in crafts goes way back.

“It’s something that has been with me since childhood,” Baron said. “It’s ingrained in me since my mom was always sewing. She’d make clothing, curtains and pillows. I still have the curtains she made in the late ’60s, and they’re in wonderful shape. I collect those vintage things and interests from the family.”

This year, the fair also features hands-on demonstrations for interested guests, giving shoppers a chance to work with materials themselves to create prints or scrapbooks at the Handmade Arcade.

Vendors work at other places around the city during the year, including WildCard, a store in Lawrenceville owned by Morris that currently features several of Baron’s products.

“That store has become a brick-and-mortar version of Handmade Arcade,” Baron said. “We sell our products and do demos there. It’s a great hub for indie craft making in the city.”

The Handmade Arcade, though, remains a valuable resource for everyone involved, Baron said.

“We’ve evolved in terms of audience and space, but we’ve also created a community within the greater arts scene and we helped shape it and bring it to life,” she said.

Wednesday, April 13, 2011

Craft exhibit shows art with function

http://pittnews.com/newsstory/craft-exhibit-shows-art-with-function/

Craft exhibit shows art with function


“Hand Made: Contemporary Craft in Ceramic, Glass and Wood”

Balcony Gallery at the Carnegie Museum of Art

4400 Forbes Ave.

412-622-3131

Two Pitt students couldn’t take any classes about crafts at Pitt, but they did learn about them working on a new exhibition in the Carnegie Museum of Art.

Jennifer Lue and Marie Williams, both senior art history majors, went to work as research interns, writing notes, biographies and a glossary for an exhibition of handmade crafts. The exhibition, titled “Hand Made: Contemporary Craft in Ceramic, Glass and Wood”, displays crafts such as a handmade tea pot and a rocking chair.

Pitt studio arts professor JoAnna Commandaros explained that crafts are artistic goods that also have a practical purpose in people’s lives.

“Most of the craft history comes from some kind of utilitarian or some kind of functional background,” she said, giving the examples of metalwork — referred to in the art world as small metals — and pots.

The “Hand Made” exhibit was a long time in the making and features about 100 pieces by artists of multiple nationalities collected over a period of years, said Rachel Delphia, the assistant curator of decorative arts and design.

“In the last decade and a half we began collecting more glass, and in the last five years we made the decision to collect wood as well,” she said. “With some old collections and traditions that have been going on for a long time, we had a real opportunity to showcase craft and to show people what we have across the board.”

The pieces in the art exhibit were created over a period stretching from the 1960s to 2009. While other handmade pieces are on display in permanent exhibits in the art museum year-round, “Hand Made” allows a narrow and in-depth focus on a span of 50 years, Delphia said.

Lue, who is also an English writing major, said in an e-mail that she’s learned not just about how to put together an exhibit, but also more about crafts.

“Decorative arts doesn’t regularly get taught at the undergraduate level here at Pitt ... and I think it often, unfortunately, gets stigmatized as lesser than “fine arts” like painting and sculpture,” Lue said. “Working on the “Hand Made” exhibition helped me understand the amount of sheer labor and technical skill that goes into creating these pieces.”

Commandaros agrees with Lue that Pitt does not have classes specifically targeted at learning crafts, partly because of resource constraints. But she said that many classes teach the basics of craft work — such as ceramics and fiber work — and that interested students can take a directed study course with a professor to gain skills in that art form.

As for the stigma against crafts, Commandaros feels that the arts have come a long way, explaining that when she went to school, she was not allowed to major in both sculpture and small metals.

“I think my generation and the generations before me had to really fight for there to be not a distinction [between “crafts” and “fine arts”] within the university settings within academia,” the professor said.

Delphia said the functionality and commonness of crafts that might have caused a stigma in the past can actually help people relate to the exhibit. Most of the material used is ceramic, wood or glass, with only “trace amounts” of other materials, explained Delphia. She said that the materials in the exhibit might be more “accessible” to viewers than those of other pieces.

“Most of these are mediums we remember as children in art classes,” Delphia said. “People have a sense of what clay feels like. We also have so many ceramic objects in our lives that we look at them and appreciate them as objects and as tools in our homes. This isn’t always the case. There are things in the museum you can only imagine in the museum. But these could come home with you.”

Lue and Williams were impressed by the talent on display in the gallery by the end of the project.

“You have to perfect the process, and that takes years and years of work and sometimes groups of people to complete,” Lue said, explaining that many artists in the past taught themselves how to work with these mediums because of an overall lack of education or mentors in the field.

“The sheer amount of work that goes into turning a wooden bowl or creating a ceramic vessel is just mind-blowing,” Williams said. “I definitely think that people don’t necessarily appreciate these mediums in the same manner that people appreciate painting or sculpture, because the result is not codified as being exclusively an art object.”

This art exhibit also features interactive technology. Touch screens similar to those currently found in the Carnegie Museum of Natural History display material put together by Lue and Williams.

Delphia has hopes that visitors will go home inspired to dabble in the crafts field themselves.

“The main idea for me is really that there’s something new possible, even with what we think as the most traditional techniques,” Delphia said. “They strike us somehow whether in form or color or the way it was created. It’s endless creativity.”

Natalie Bell contributed to this report.

Saturday, April 9, 2011

Band attempts to incorporate world into its tribe

Band attempts to incorporate world into its tribe

http://pittnews.com/newsstory/band-attempts-to-incorporate-world-into-its-tribe/

One World Tribe

Thunderbird Cafe

4023 Butler Street

April 9 at 8 p.m.

$8 in advance, $10 at the door

412-682-0177

Kennedy Thompson’s band plays all his favorite styles of music — fulfilling a childhood dream of his.

Today, Thompson’s Erie-based collective One World Tribe boasts an eclectic lineup of 12 regular musicians and occasional guests, with a repertoire encompassing hip-hop, reggae, funk and Latin.

“The whole concept was that we would bring many different styles together that were related in some way,” Thompson said. “At the very least, I wanted very diverse [people] with a strong grasp on [the styles], or to find a master in one of those styles.”

Growing up in Detroit, Thompson was influenced by the music he listened to — especially Santana — and his cousin, who played the drums. His interest in performing only increased when he began studying music himself.

“I wanted to be able to play a lot of what I liked in different genres,” Thompson said. “Putting a lot of genres under one roof, so to speak. It took me a year and a half to get the right members.”

Band member Frank Singer, who plays guitar, keyboard and drums, had briefly spoken to Thompson in 1993 when the two met in Pittsburgh. Singer received a call from Thompson two years later. “We’re staring rehearsal,” Thompson said. From there, the band kicked off.

Part of OWT’s mission is to conflate different genres, tastes and musicians. Singer believes the band’s continued soldarity underscores its major theme: coexistence.

“Our backgrounds are very different,” Singer said. “So we have managed to coexist things that many people in this country argue can’t coexist, like our religious and spiritual backgrounds. But as for topics [in our music] we have things from love to peace and political freedom and diversity and everything else.”

At first, the group performed covers of the bands that inspired them, and it later moved into composing its own music. Thompson said the process is different for every song. Sometimes everyone contributes, and sometimes only one person writes a song. But OWT has never had to sit down and discuss what messages may come through in their music.

“It’s kind of always been understood,” Thompson said. “We want to play music that uplifts man. Music that brings people together, because music is a universal language.”

Member Ron Williams, aka Preach Freedom, stressed that even though there’s “no discrimination” about song topics in the band, they try to make their music family-friendly and uplifting. In other words, instead of just complaining about issues in their songs, they try to push for solutions, he said.

Williams has also taken a strong liking to teaching in classrooms as a guest musician. Raised on Motown and gospel music, Williams is talented with multiple instruments, playing “anything I put my hands on.”

“I’m always in communities working with children, since I know this is a gift that can help people,” he said. Referring to the redemptive power art held for him when he was surrounded by gang violence on the street, Williams said, “I came up in the ’80s and ’90s, so music saved my life. And to show people there’s other things they can do artistically, I talk to them.”

Music is a powerful tool that allows people to “forget,” he said.

“In this diverse country of ours, when it comes to music, people don’t mind a person’s background,” he said. “Music doesn’t care who you are or where you’re from. It has allowed me to fit with people. People listen to you and I recognize that. I try to use music for humanitarian reasons.”

Recently, Thompson has started working as a director and CEO for Billionaire Records. So far, he said, his new job has helped OWT with its own music.

“Working with a lot of different artists helps me in the band because I have resources to pull,” he said. “In the last album there were bands making guest appearances, which was cool. We had a whole new arsenal to the album.”

Going on 16 years of playing with the band, Singer said its chemistry endures.

“Kennedy made connections with people who may never have met,” he said. “The band is about something. We have fun this way.”