Friday, October 21, 2011

Lady Antebellum keeps it pop-country on new album

Lady Antebellum keeps it pop-country on new album

http://pittnews.com/newsstory/lady-antebellum-keeps-it-pop-country-on-new-abum/

Lady Antebellum

Own The Night

Capitol Nashville

Grade: B

Rocks Like: Rascal Flatts, Sugarland

Have another heavy dose of musical love and heartbreak.

Lady Antebellum’s latest album is yet another edition to the ever-growing stack of music dedicated to those subjects. But there’s a reason people keep telling these stories — and this release highlights it.

Although the country group has been around since 2006, it’s best known for its sophomore release, “Need You Now.” The LP won five Grammy Awards and received the honor of Best Selling Country Album in 2010. Its title track beat out several front runners for both Song and Record of the Year.

Now, after hitting the studio early this year, the band has released a new album reflecting the lives of its members, examining the trials of falling — and staying — in love.

This latest album keeps with the band’s style of combining country and pop, and the members keep pushing and testing their vocal capabilities. The songs showcase Hillary Scott and Charles Kelley’s pipes and their abilities to convey feelings of loneliness, longing and excitement.

The melodies — more so than the lackluster lyrics — make the songs interesting.

For example, the single “Just A Kiss” is a lyrical cliche, with phrases like, “I know that if we give this a little time / it will only bring us closer to the love we wanna find / It’s never felt so real / no it’s never felt so right.” Yet a fast tempo on the piano along with guitars and drums coming in during the chorus makes the music almost irresistible.

In what could arguably be a response to a common criticism from country fans, not every song sounds poppy.

In “Cold As Stone,” the group eliminates the piano and electric guitars, instead taking an acoustic, simple, country-style approach to the song about heartbreak. What could also come across as yet another silly love song relies entirely on the vocal power of the band, which does an impressive job on evoking a response from the listener.

Interestingly, the last part of the song swings away from acoustic, entering into a sweeping orchestra and flute solo to close it out. The artistic risk works in the band’s favor — the song leaves a lasting impression.

Lady Antebellum took some chances with songs like “Just A Kiss” and “Cold As Stone,” and — although not every song is as memorable as these two — the risks paid off. Own the Night features a bigger and brighter sound than the group’s past releases and represents just another step in the band’s evolution.

Thursday, October 13, 2011

Evanescence’s new album might alienate fans

http://pittnews.com/newsstory/evanescences-new-album-might-alienate-fans/

Evanescence’s new album might alienate fans


Evanescence

Evanescence

Wind Up Records

C

Rocks Like: Flyleaf

The first song on Evanescence’s new self-titled album asks, “Remember me?” That might be the million-dollar question, as this is the first time that the band has released new music in about five years.

Since its first record Fallen, which was released in 2003, Evanescence has gone through major changes. For one, singer Amy Lee is the only remaining member of the original group. With its sophomore release The Open Door, the band switched up its sound to create a smoother, melody-driven line-up of heartbreaking lyrics, soaring vocals and satisfying chords.

Still, the first and second albums sounded similar enough; changes only made the songs more interesting. Now, Evanescence’s self-titled third album risks letting down the band’s original fans.

The first single and opening track, “What You Want,” kicks off the album with the lyrics, “Hello, hello / It’s only me infecting everything you love / Somewhere beyond the pain / There must be a way to believe.”

As always, Amy Lee’s soaring vocal work shines through. But if dedicated fans of the original Evanescence heard this new track, they likely wouldn’t recognize the band. The group’s once simple hard-rock sound has been softened into borderline pop-rock.

At first, it’s not necessarily a bad sound, as there’s still the familiarity of layered guitars and synthesized strings. It’s obvious the band enjoyed playing its usual instruments with a new sound, because the new music is fast and lively — quite different from their slower, more dramatic approach of the past.

And not all of the songs are poppy, either. Songs like “Made of Stone” have a touch of Evanescence’s original hard-rock style, which won’t totally alienate the fans who loved the band from the get-go.

But that good feeling falls away as many of the tracks begin to sound the same, with one or two exceptions. The monotonous sound definitely drags this album down. After four or five tracks of what sounds like the same song, it’s hard not to be bored with the minor keys and muted guitars.

Even the emotional lyrics can’t save the album. For example, “My Heart Is Broken” features some of the original “emo” lyrics of heartbreak that original fans loved: “My heart is broken / Sweet, sleep my dark angel / Deliver us from sorrow’s hold / Or from my hard heart.” But it lacks the haunting beauty of songs like “My Immortal” and “Lithium” and literally blends into the song preceding it.

It’s normal for a band to want to change its sound but with the new album, Evanescence is now a “love it or leave it” band. Maybe the group will gain some new fans with this third album, but the real question is: How many will they lose?

Friday, October 7, 2011

‘Machine Gun Preacher’ an emotion-filled tale

http://pittnews.com/newsstory/machine-gun-preacher-an-emotion-filled-tale/

‘Machine Gun Preacher’ an emotion-filled tale


“Machine Gun Preacher”

Starring: Gerard Butler, Michelle Monaghan, Michael Shannon

Director: Marc Forster

Studio: Apparatus, Safady Entertainment, 1984 Private Defense Contractors, Mpower Pictures

Grade: B+

“Machine Gun Preacher” is exactly what it sounds like, but the story is more complex and poignant than the title would suggest.

The film begins in 2003 with graphic images of a child captured after an attack and given a choice: kill his mother, or die. After this scene, the main character Sam Childers (Gerard Butler) is seen leaving an American prison. He returns to his family and, after hitting rock bottom, decides to rebuild his life. He soon finds faith in God and begins a construction business.

When a visiting pastor speaks at his church, Childers decides to go to Sudan for several weeks to help rebuild parts of the country. What begins as a short-term philanthropy project evolves into a full-time job. When Childers sees masses of children living in fear of a rebel army — the Lord’s Resistance Army — that abducts them, he cannot turn his back knowing that the international community has failed to address the problem.

Childers begins working to save as many children from the army as he can by picking up a Bible, a hammer and a machine gun, earning two nicknames — the White Preacher in Uganda, and the Machine Gun Preacher in the United States. As the film progresses, Childers focuses more on his projects in Africa than his family at home as the war takes a toll on him.

The film tells a story of determination, faith and survival, and does so beautifully. Butler and the rest of the cast do their jobs with stunning conviction, especially later in the film as the horrific sights Childers sees begin to wear him down mentally and physically.

One flaw this film does have, though, is pacing. As the film moves forward, it’s hard to tell exactly how much time has gone by. Questions like “How old is this man now?” and “How long did this project take?” are left unanswered.

A second flaw in the film is the exclusion of other groups involved in eliminating child soldiers, which is a real shame considering there are people working hard in Africa even today. Instead, the film portrays Childers as one of only a few people who cares enough to help.

Despite these flaws and any liberties this “based on a true story” tale took in its making, this movie balances entertainment, shock and raw emotion surprisingly well. Somehow, the writers and director have balanced humor with blood, death and missing limbs — all in a way that does not disrespect the victims of this conflict.

The film’s credits feature statistics, commentary on the conflict and actual photos and film of the people and children involved in this bloody conflict. It also includes a video of Childers asking, “Who wouldn’t pick up a weapon to defend their children?”

Whether or not people agree with Childers’ methods or not, this film will not disappoint. Still, when they settle down to watch, viewers should probably have some tissues handy.

Thursday, September 29, 2011

Blessed Feathers’ album eery and emotive

Blessed Feathers’ album eery and emotive

http://pittnews.com/newsstory/blessed-feathers-album-eery-and-emotive/

From the Mouths of the Middle Class

Blessed Feathers

Listening Party / Cakes & Tapes

B-

Rocks Like: Bon Iver, Fleet Foxes

Blessed Feathers is the kind of band that exemplifies the low-budget sensibility and wandering curiosity necessary to record an album in the group’s apartment.

That’s the story behind Blessed Feathers’ newest album, From the Mouths of the Middle Class. The band spent the winter of late 2010 and early 2011 writing and recording an indie folk album that will haunt listeners.

The music itself isn’t eerie, but Blessed Feathers has a way of writing simple, yet stirring music using guitars, accordions and banjos. Both the band’s instrumentation and lyrics are minimal.

And it works. This album speaks of restlessness, and most of the songs describe treks through the country driven by a search to satisfy an ambiguous desire. The first track, “By Song Through The Americas,” illustrates this perfectly with the lyrics, “I took a trip across the Southern states / And I felt the heat, sweat bead along my face / But we’re lost in the woods / Trading thoughts for goods.”

Later in the same song the band sings, “I wish that I could hitch a ride / And pay my bills at the same time.” The band’s chosen string instruments — particularly given their association with wanderers — set the mood and complement these lyrics perfectly.

On another track, “Apple Blossoms,” the singer merrily declares that there are “apple blossoms in my hair.” Completing the picture, the music imitates hand clapping and picks up the pace to transport listeners to a lively festival. The only problem with this song is that it only lasts a minute and a half, leaving listeners feeling unsatisfied.

Still, the album isn’t flawless. During “Somebody Else’s,” the group sings, “Thinking about love / somebody else’s,” but the last syllables of the lyric slur together. If there’s a meaningful end to this lyric, it is lost. Unfortunately, this isn’t the only time the album suffers from a lack of good enunciation.

However, this is a satisfying album overall, featuring music that would fit right in with Pittsburgh’s own folk music scene.

Tuesday, September 27, 2011

Staying healthy important but difficult in college

http://pittnews.com/newsstory/staying-healthy-important-but-difficult-in-college/

Staying healthy important but difficult in college

Posted on 26. Sep, 2011 in Magazine

A double major in the business school, 18-credits this semester, a job as an RA — Pitt student Leanne Ikeda is busy. But every week, she fits exercise into her routine.

“I plan exercise,” Ikeda said, explaining that she heads out to the gym every other day when possible. “It’s an important part of my routine for me, because it’s time just for myself. I try to work out at least every other day.”

Ikeda is only one of Pitt’s more than 17,000 undergraduate students trying to find time to live a healthy lifestyle while at college. Fortunately, Pitt provides numerous resources to help students ensure their regular routines are actually healthy and effective.

The two habits required for staying healthy, eating right and staying active, prove to be especially challenging for students. To stave off college weight gain, it’s crucial to maintain a balanced diet and avoid the temptations to over eat at buffet-style dining areas and 24-hour establishments. It’s tough to squeeze in time to work out — and the U.S. Center for Disease Control recommends two and a half hours per week.

Marian Vanek, director of Pitt’s Student Health Service, encourages all students to exercise, even if they can’t do so very often.

“Research has shown that as little as 15 minutes of moderate intensity exercise per day may reduce mortality risk,” Vanek said in an email. She added that any exercise encourages healthy hearts, stronger bones, more energy, and better immune systems, and that too few people exercise even a little bit on a weekly basis.

And exercising doesn’t need to be limited to Pitt’s multiple gyms and recreation centers, Vanek said.

“Brisk walking, jogging and swimming are ways to boost your heart rate,” she said.

Take student Jennie Snyder — a senior double majoring in Spanish and communication — who’s also taking 18 credits in addition to her other responsibilities in campus organizations.

Snyder exercises four or five days every week. She can be found either using the treadmill at one of Pitt’s gyms or jogging in the park or up to Shadyside or Squirrel Hill.

By exercising, these Pitt students are also doing more than taking care of themselves physically: They’re all getting a great mental-health boost as well, according to Vanek.

“Exercise ... affects the brain; it encourages a good mood and reduces stress hormones in our bodies,” Vanek said. “Research teams have found that exercise has been shown to improve memory, attention and decision-making abilities — especially important to the college student.”

Exercise also helps keep weight in check. Researchers at Oregon State University found that a quarter of students gain at least five pounds over the course of two months early in their first year of college.

But exercise isn’t the only component to healthy living — eating right factors in as well.

Snyder eats “as many fruits and vegetables as possible” during the day. She even eats a larger, well-balanced breakfast with protein, fruit and dairy products. And she avoids late-night snacking.

Ikeda has taken healthy eating further. She recently made the decision to see Meg Mayer-Costa, the nutritionist at the Student Health Service. She hopes to take her healthy living one step further by following a healthier eating regimen.

“It’s tough on a meal plan,” she said about healthy eating. “The options aren’t as widespread.”

When students visit Student Health to meet Mayer-Costa, appointments begin with certain questions about their living situations, weights, supplements, medications and daily diets. Because every student is different, each has to be approached differently when developing a healthy-living plan, Mayer-Costa explained.

What might work for Ikeda’s healthy lifestyle might not work for another student. And by going into the nutrition center, students can learn about what’s helpful for them.

For example, although Ikeda doesn’t use them, Snyder takes vitamin C tablets because they “[make] me feel better when I think I’m catching a cold.”

Snyder contributes to a $25 billion business in the U.S. by taking these vitamin supplements. Unfortunately, it’s a myth that vitamins can cure illnesses or make up for a poor diet. Recent studies released by the Archives of Internal Medicine have shown that multivitamin use does not give us the healthy boost we once thought.

Although Mayer-Costa said that multivitamins might provide a “safety net” by adding small amounts of necessary nutrition to a daily diet, the pills cannot make up for a poor diet. And she said doctors don’t prescribe them to treat a disease because taking Vitamin C during cold season isn’t going to cure those sniffles faster.

Plus, multivitamins and the medications individuals take don’t always mix well, so everyone should consult their doctors about taking multivitamins in relation to their health needs, Mayer-Costa said.

“Students ... can take too much, too often, and [the supplements] can also interfere with each other and other medications,” Mayer-Costa said. This is why vitamin pills come in low dosages that are supposed to be taken once or twice a day.

Ikeda and Snyder keep in touch with their respective doctors and visit every year or two to make sure nothing is wrong with their physical health. They agreed that Wikipedia and WebMD aren’t substitutes for taking care of yourself. And thanks to their efforts and doctor’s visits, both have found a formula that works for them.

The best way to determine a great personal exercise routine or diet is by consulting a doctor and seeing what works best for the individual, Mayer-Costa said. Personal trainers and doctors can recommend sound work-out routines in addition to nutritional advice.

Thursday, September 15, 2011

MH the Verb album unlikely ‘Cult Classic’

http://pittnews.com/newsstory/mh-the-verb-album-unlikely-cult-classic/

MH the Verb album unlikely ‘Cult Classic’


Cult Classic

MH the Verb

Classic Cult Music

Grade: C+

Rocks Like: Kid Cudi, Jay-Z

When artists release new CDs, they have a few choices: They can continue with their old style, change their tune, or find a way to combine the two and make a recognizable, fresh sound. Pitt graduate Marcus Harris, a.k.a. MH the Verb, faced this same decision when writing his first solo album to showcase his talents.

In the past, MH was known for his ability to combine live instrumentation with electronic music. Many of his songs also highlighted social justice issues, calling for activism and a better world.

Whether he’s made more music along those lines is debatable. His first track, “Winter In America,” does a good job integrating a historical speech — President Franklin Roosevelt after Pearl Harbor — with a typical hip-hop beat line. It’s soft at first, but grows in intensity as the song goes on, until it drowns out Roosevelt’s words and expands to include MH’s usual style of hip-hop meets electro-pop.

This opening transitions into a fast-paced, fast-spoken song that proclaims in the first few lines that the reason there’s “blood in the oceans” is because of humanity’s many flaws. The song, in general, is a critique of America. It obviously has a message to deliver, but it doesn’t inspire action so much as express MH’s anger.

The song “More Time” goes, “What would you do with a little more time / if you could stop the clock / and watch the world rewind?” It’s gentler in delivery, with a simple combination of drums and synthesizer notes. It’s a good, solid song for MH that says one day people will get themselves together.

But those two tracks are in stark contrast to other songs, many of which are flirtatious club rap songs, like “Lights Off.” And the song “So Good” is a tribute to a girl who things didn’t work out with — complete with descriptive language about their sex life. It’s hard to see how this fits in with MH’s usual routine and his history as a socially conscious rapper.

There are certainly some good ideas in an album that could have been much more powerful and captivating. It simply does not do MH justice.

Wednesday, June 29, 2011

‘Cars’ sequel a lemon

http://pittnews.com/newsstory/cars-sequel-a-lemon/

“Cars 2”

Starring: Owen Wilson, Larry the Cable Guy, Michael Caine

Director: John Lasseter and Brad Lewis

Studio: Disney/Pixar

Grade: C

It’s a sad day when a Pixar movie disappoints.

Disney/Pixar’s newest film, “Cars 2,” celebrates Pixar’s 25th year of animation. Unfortunately, it seems the studio forgot some things about what it takes to make a good sequel.

“Cars 2” begins in the middle of the Pacific Ocean as spy car Finn McMissile (Michael Caine) begins to gather information on a vague — but obviously dastardly — plot that appears to be organized by villainous Professor Zündapp (Thomas Kretschmann).

Cut to Radiator Springs, where Lightning McQueen (Owen Wilson) still lives with his friends, including Mater the tow truck (Larry the Cable Guy), during his offseason from racing. After another car, Francesco Bernoullii baits him to travel to and race in the World Grand Prix, McQueen begins to fight with Mater, whose redneck habits embarrass him. Then, following a series of coincidences, Mater is mistaken for a secret agent who’s supposed to meet with McMissile.

The entire film becomes an action-packed series of Mater-driven shenanigans filled with explosions and jokes, meant to convey a message about being yourself and cherishing your friends. Too bad it doesn’t work.

Remember the first film, where McQueen was forced to slow down in a small town? The film had a relaxed atmosphere, with developed and realistic characters who told a relatable story. It wasn’t perfect — some critics complained that the first film was too slow — but it was still enjoyable.

The sequel overcompensates— it’s too fast. Character development and tension got torn out because there’s no time for anything to develop, and the story drags audiences along without time to fully enjoy the jokes. And the action almost completely hides the message the movie tries to deliver.

Worse, the fast-paced drive of this film completely undermines the point of the original — slowing down. Pixar doesn’t take the time to combine the best of both worlds to create an interesting, fun sequel with some emotional depth. Instead, it makes “Cars 2” pure action.

As an added blow, most of the old characters (minus Mater) feel hollow during their 10 minutes of screen time. Mentor Doc Hudson, voiced in the first film by Paul Newman, disappears completely after the actor’s death, and with him goes one of the strongest characters. The others, including McQueen, receive the same kind of treatment, with lazy voice acting and poor characterization failing to add familiarity to what already feels like a brand new world.

Both best and worst of all, the film begins with a traditional short story clip about the characters from “Toy Story” following the conclusion of the third film. It coaxes a smile out of fans while also delivering a punch in the gut, as Pixar reminds audiences that it has made sequels that surpassed their predecessors.

Perhaps one of the only saving graces in this film is Michael Caine’s voice-acting and the new characters, which distract from the various disasters going on elsewhere. In addition, the animation impresses and creates a decent atmosphere by capturing the excitement of traveling the “Cars 2” world, the elation of flying through the air and, occasionally, the suspense from the nefarious plot that’s afoot as bullets and explosions threaten Mater and the spy cars..

Still, the animation cannot repair the damage done to this established franchise. Frankly, Pixar should have made this story into a film independent of “Cars.” As is, it completely ignores the themes of the first film and accordingly — aside from the familiar characters — barely feels like an actual sequel.

While it has its moments, “Cars 2” turns so far away from its predecessor that it’s almost unrecognizable. In the end, it’s just an immature film which deviates from Pixar’s style of appealing to both children and adults. Better luck next summer, Pixar.

Wednesday, June 8, 2011

Fifth film explains enmity between Professor X and Magneto

Fifth film explains enmity between Professor X and Magneto

http://pittnews.com/newsstory/fifth-film-explains-enmity-between-professor-x-and-magneto/

“X-Men: First Class”

Starring: James McAvoy, Michael Fassbender, Jennifer Lawrence

Director: Matthew Vaughn

Studio: Marvel Entertainment

Grade: B

The third “X-Men” film was iffy and the fourth flopped — so when the trailers for “X-Men: First Class,” a prequel to the former flicks, first appeared, fans of the original movie groaned.

But those fans might have lamented too quickly. “X-Men: First Class” breathes new life into the series with an energetic cast and an action-packed story. The plot shifts its focus from the franchise’s main characters, instead telling the tale of a newly varied group, including two of the big players from previous installments, Professor X and Magneto.

The “X-Men” series explores a world in which human mutations have created beings with special powers. Themes of prejudice and acceptance dominate throughout as mutants attempt to co-exist with normal humans, who often fear or loathe the powerful hybrids.

“First Class” focuses on the leaders of the future mutant movement as young adults living during the Cold War.

The movie departs a bit from the storyline of the “X-Men” comics, which is understandable — as so many variations exist in the comics that translating the complex stories to the screen creates headaches for directors. It’s refreshing to see filmakers take inspiration from original source material while putting their own spin on the story.

The film features the younger versions of telepath Charles Xavier (James McAvoy), later known as Professor X, and Erik Lehnsherr (Michael Fassbender), called “Magneto” because of his ability to generate and control magnetism.

“First Class” begins with the young Erik losing his mother in a concentration camp during the Holocaust. He spends the following years hunting down those responsible, seeking revenge. Meanwhile, Charles lives with Raven (Jennifer Lawrence), a shape shifter, as the pair of close friends study at Oxford.

When a CIA agent comes to Charles for help, fate brings him and Erik together during a brief fight against the film’s villain, Sebastian Shaw (Kevin Bacon) — a man from Erik’s past intent on causing nuclear war. The two then team up to track down mutants around the world as they search for potential help against the enemy.

Throughout the film, Charles believes that the good he and his fellow mutants can do for mankind will outweigh the bad. Erik, doubtful, plows ahead with plans of revenge on Shaw.

For fans of the franchise, it’s blatantly obvious during the film what the final outcome will be — Professor X and Magneto as enemies. Despite this, Matthew Vaughn spins a tale interesting enough to keep all viewers entertained during the journey.

The characters are rounded overall: Their personalities develop over time, and they deliver some humor along the way. They interact well as comrades and also gradually exhibit the fear and betrayal that is inevitable in the story.

One of the best — and worst — parts of this film are the attempts to connect it with the other parts of the franchise, such as showing the design for the ship used in previous movies. They don’t always work and will sometimes leave fans scratching their heads. But the film is generally tied together well andfeatures cameos from a few recognizable and much-loved characters — including one vulgar appearance from the universal favorite badass of the series.

This film never quite succeeds in making the setting feel like the 1960s: The characters feel, dress and act too modern to pull the time period off. But this is a minor pitfall. There are times when the performances, too, lack believability because of those too-modern touches, but that’s quickly forgotten during the riveting final battle.

Overall, this is a slightly flawed but fun addition to a popular series, and it certainly signals an upswing from the last two “X-Men” movies.

Wednesday, June 1, 2011

‘Kung Fu Panda 2′ leaves room for more movies

‘Kung Fu Panda 2′ leaves room for more movies

http://pittnews.com/newsstory/kung-fu-panda-2-leaves-room-for-more-movies/

“Kung Fu Panda 2”

Starring: Jack Black, Dustin Hoffman, Angelina Jolie, Gary Oldman

Director: Jennifer Yuh Nelson

Grade: A

A villainous peacock is out to take over China and must be stopped by a band of epic kung fu warriors — one of whom has a personal connection with the terrifying enemy.

It sounds laughable, but DreamWorks managed to convert this incredible concept into a legitimately dramatic and tearfully emotional plot in the making of “Kung Fu Panda 2.” The animated action comedy might now become a six-part series as its success continues.

Fans of the first “Kung Fu Panda” should remember how the adventure began: A panda named Po (Jack Black) worked with his father in a noodle shop while dreaming of being a kung fu warrior fighting alongside the Furious Five, a group of famous martial artists, each of whom practiced a different style of fighting. Po turned out destined to be the sixth fighter — the Dragon Warrior. The first film left off with Po having earned the respect of his peers.

“Kung Fu Panda 2” picks up from there, and viewers follow the story of the previously dysfunctional band of warriors who have forgotten their differences and begin to work together as an intimidating team.

The group’s next task is to defeat Lord Shen (Gary Oldman), a white peacock who commands an army of wolves, uses machinery and cannons to defeat his enemies and plans to take down all kung fu warriors. The Furious Five and Dragon Warrior must defeat Lord Shen to save China as well as the art of kung fu.

Along the way, though, Po finds himself struggling with his past. He ultimately must find inner peace to master the next step in his training and defeat Lord Shen.

This film is surprisingly epic. Whereas the first film focused on a small group of characters facing a single enemy, its sequel pits the team of warriors against entire armies.

The voice cast strengthens the film throughout. Oldman makes for an impressive villain. Jack Black and the other cast members certainly portray their characters well and achieve an emotional energy that draws in the viewer.

The lifelike animation makes the kung fu scenes in the film phenomenal; — animators obviously paid attention to detail. The direction increased the scale of the project for film two and created larger scenes with more fighters, moves and effects.

Between the images, character development and acting, “Kung Fu Panda 2” is not only dramatic and action-packed but also intense and emotional. It runs the risk of bringing tears to viewers’ eyes as they learn about what happened to Po and why he ended up being raised by a goose rather than by his biological parents.

The only real downfall of the film is that occasionally the humor doesn’t work. Some jokes act as throwbacks to the first film and don’t quite function in the dramatic mood being set by such a large adventure. Still, this only serves as a minor and forgivable pitfall.

Don’t be surprised when a third “Panda” comes out — the ending of this movie was as clear a sign for a pending sequel as we’ll ever get.



Wednesday, May 18, 2011

Band finds member and is discovered online

Band finds member and is discovered online

http://pittnews.com/newsstory/band-finds-member-and-is-discovered-online/

August Ruins

The Smiling Moose (1306 E. Carson St.)

Saturday, 7:30 p.m.; 21+

$5

412-431-4668

Pitt senior Kory Caldarelli didn’t know that joining a band through a Craigslist ad would eventually land him a contract with a major record company.

This year the punk band August Ruins, composed of members Caldarelli, Eric Sebula, Reggie Little and Butchy Sebula, signed a contract with From The Depths Entertainment in summer 2010, an indie label located in Reading, Pa. Vocalist and guitarist Eric Sebula is a Pitt junior and drummer Caldarelli is a fifth-year Pitt senior, double majoring in anthropology and music. The band is now preparing to go on its first tour and will play at the Smiling Moose on Saturday.

Caldarelli joined when the group was in the midst of change. The band developed a sound different from their previously screamo metal vice, changed its name and line-up, then set out to find a new member — Caldarelli.

Caldarelli found the band’s ad on Craigslist and learned that all of its members were from Irwin, Pa., his original hometown. He joined the band in 2008. From the beginning, August Ruins was different from the other groups he performed with, he said.

“We did intend to go somewhere,” Caldarelli said. “We had the same goal in mind. We were all in bands before that weren’t too serious. So from the beginning, we wanted to be dedicated to this.”

One year later in 2009, the newly named August Ruins released an EP album titled The Ghost and the Gasoline. The band worked on songwriting and constantly looked for venues to play, hoping the hard work would pay off.

It did, when From The Depths Entertainment found recordings of August Ruins’ music, despite the group never having contacted the label. It’s typical for the company’s employees to search for sounds online and contact bands they like, according to band manager Mike Bohn of From The Depths Entertainment.

“We go out and find the artists rather than just letting them come to us,” Bohn said. “August Ruins had that sound that we couldn’t really ignore. They’re bringing back catchy punk-metal that can be played on the radio.”

Once he was convinced that the band’s sound was perfect for the company, Bohn got in contact with August Ruins. The company invited the band to meet in Philadelphia, but the two parties mostly conferenced by way of phone calls because the band was not able to travel across the state.

“We met with Mike and he liked us. Everything just kind of moved forward from there,” Caldarelli said.

And according to Eric Sebula, everything moved quickly.

“We recorded. We recorded again,” he said. “We had an indie record deal in three months. Now we have a major label consideration. I’m not sure how this all happened. I’m not going to complain.”

August Ruins currently has an independent promotional label with its record company giving the band extra help and money to work on the legwork for the band.

“Right now, they do everything I can’t stand doing,” Sebula said. “They do management. They promote us. They call venues. They literally speak for us. They do things that would take us weeks to do in days.”

Producers also helped the band tweak its sound even more, helping it create more and more of a punk vibe that moves away from its metal roots.

“It’s more like a mutual understanding,” Bohn said when describing the relationship between the company and the band. “We don’t interfere with their direction, and they understand they need to work hard ... And their hard work is paying off. They were a featured artist and were on a Billboard chart for a while.”

The band now has even more time to work on its music as it prepares to tour over the summer. When the group isn’t together, Sebula often composes at the small recording studio in his house.

The band tweaks it when the members come together, but Sebula writes a majority of the first draft and e-mails copies of it to his fellow band players. He feels their songs have some intelligence and an opinion without becoming too political.

“It’s underground punk rock,” Sebula explained. “It has a message, even if it’s hard to pin down.”

The band is intent on touring and writing a full-length album while the band members have the time in the midst of school and work, Sebula said.

“It just keeps getting bigger and bigger,” Caldarelli said.



New CD more upbeat than last one

New CD more upbeat than last one

http://pittnews.com/newsstory/new-cd-more-upbeat-than-last-one/

Friendly Fires

Pala


XL Recordings

B+

Rocks Like: Phoenix, Passion Pit, Empire of the Sun

Four years after releasing its debut album, Friendly Fires is back in action with a new release — as well as a tweaked sound — that’s hard to resist.

Friendly Fires still sounds like dance punk, but the band’s mood isn’t as somber as it used to be. Though certain tracks on Pala, particularly those that reach back to the band’s old sound, aren’t extremely uplifting, just as many preach about enjoying life in its present state. That variety affords the album a satisfying balance between new and old.

The band’s music combines a punk sound with a dance-club beat while adding a dash of percussion and funk. The result is a pretty darn appealing sound. The track titled “True Love” especially benefits from this combination of influences — the band takes a common topic and an overused title and brings it something fresh.

But not every song is happy — “Chimes” dials up the funk with lyrics like, “Kissing the lights / Missing your love / All through the streets / You’re on my mind.”

Another song, “Helpless,” uses the image of a rising tide to describe feelings of drowning and despair, complete with seagull sound effects to enliven the impression of a nearby vast ocean. This is a strange track — while other songs include appropriate mood music, it’s hard to tell what this one is trying to do. It’s as if the band tried to combine its old somber sound with its newer, upbeat sound. It didn’t necessarily work.

As with most albums, the singer’s voice is not always distinct from the music. Although some songs are perfectly understandable, others are not.

Overall, though, this album is solid and perfectly paced. Hopefully this band won’t take another four years to release something good.



Sunday, April 24, 2011

Share Jazz singer’s crooning charming

http://pittnews.com/newsstory/jazz-singers-crooning-charming/

Jazz singer’s crooning charming


’Round Midnight

Karrin Allyson

Concord

Grade: B+

Sounds Like: Jane Monheit, Diana Krall

Cabaret at Theater Square

Tomorrow, 8 p.m,

Tickets $25.75 - $30.75

(412) 456-6666

www.culturaldistrict.org

21+

With three Grammy Awards under her belt, American jazz vocalist Karrin Allyson has some high expectations to meet with her upcoming album ’Round Midnight.

And she will meet those expectations. Allyson’s style is full of charm for jazz lovers. Her vocal work is impressive: She can switch between sounding soft and heartfelt to sounding low and even scratchy, bringing in a wide range of emotional depth through her voice alone.

The lyrics add to the depth and variation of her songs, with some offering insight into heartfelt moments and others invoking bittersweet or even angry memories of love gone wrong. The words themselves are beautiful, like in “I’m Always Chasing Rainbows,” where Allyson sings, “I’m always chasing rainbows / waiting to find a little bluebird in vain.”

Every track is strong but quiet in its musical delivery. Take “Goodbye,” a ballad about lovers parting ways, in which Allyson softly sings, “So you take the high road and I’ll take the low / it’s time that we parted, it’s much better so / so kiss me as you go / goodbye.” Here the music draws listeners in, ambling along with a slow piano, guitar and assortment of percussion instruments.

The percussion adds a layer to the mix and serves as a pleasant addition in the lulls between lyrics. In the end, however, the piano and vocals are this album’s strongest points musically.

Allyson’s songs are all well-thought-out, smoothly composed and haunting, resonating even after they end. Jazz lovers will be pleased, and the genre might even gain a few new fans with the release of this album.

Pittsburgh Opera honors executed nuns

http://pittnews.com/newsstory/pittsburgh-opera-honors-executed-nuns/

Pittsburgh Opera honors executed nuns

“Dialogues of the Carmelites”

April 30 – May 8

Directed by Eric Einhorn

Benedum Center

$20-$150

www.pittsburghopera.org

412-456-6666

“Dialogues of the Carmelites” might have been written in 1957, but its story goes back to 1794.

Next weekend, the Pittsburgh Opera will present its final show of the season: a three-hour long French opera created by Francis Poulenc. The story takes place during the French Revolution and focuses on the Martyrs of Compiègne, the 16 nuns who were guillotined in 1794 during the final days of the Reign of Terror in France.

Taking part in the show is Amanda Majeski, who plays the character Blanche. Blanche leaves her wealthy family to go to a convent, dreaming of taking control of her life and making a difference in the world. Soon, however, a series of events destroys the relationships Blanche forms at the convent, leading to the dramatic conclusion when the remaining nuns decide how much of a sacrifice they’re willing to make for their faith.

Although Blanche experiences a seemingly unending series of traumatic events, Majeski enjoys playing the character.

“She goes from a child rebelling to an adult in three hours,” Majeski said. “It’s a dramatic story tied up in beautiful music.”

Nevertheless, the role is an exhausting one: The singing is a challenge even for someone trained in opera, Majeski said.

“It’s much more disciplined singing,” Majeski said. “It takes a lifetime of practice and you have to make a beautiful sound while being dramatically interesting.”

Though operas have translator scripts that flash above or beside the stage, Majeski’s job is to act in a way that will allow people to know how a character feels without necessarily needing to read anything.

“I’m sure if you didn’t look at the supertitles, what we do with our voices and action would speak through,” she said. “But you do want to know the details.”

All of the cast currently spends a minimum of six hours a day in rehearsal, under the eyes of multiple directors, including William Powers, director of administration and artistic operations. Powers has the job of overseeing rehearsals to watch for problems that others might miss, such as script mistakes. He also checks in with the cast to make sure everyone is comfortable and understands their role.

So far, Powers said his job has been relatively easy.

“Every time I go in though, they’re discovering another layer and bringing the story alive,” he said. “It’s also a fascinating story. The drama and the actual story this is based on is remarkable and hardly told.”

The history of the opera is something taken into constant consideration, by the French conductor Jean-Luc Tingaud as well as by Powers.

“I asked him how well these nuns are known [in France], but he said they aren’t very well-known,” Powers said. “They’re really buried in a mass grave. There is no dignity to that. But the dignity comes alive in this opera and its acting. This opera asks hard questions. What do you believe in? How firmly do you believe? What will you give up for your beliefs?”

In Powers’ experience, most people think of older operas from different musical periods when they imagine what these shows sound like. Although “Dialogues” was heavily influenced by artists of the past, this opera has its own distinct style.

“The musical medium is different from, say, Mozart,” Powers said. “We are able to explore the breadth of the repertoire. It’s a different musical medium. Here’s a medium that should be heard that draws upon the composers of the past and even revolted against them.”

Planning for the show began as early as January 2010 at the Pittsburgh Opera, said Debra Bell, director of marketing and communications. One issue the Pittsburgh Opera dealt with is the fact that “Dialogues” is not as well known as other operas.

“It sounds so different from Italian in the language and the style,” she said. “This opera is an opera but it’s small, intimate and thought-provoking.”

The Pittsburgh Opera has made a point to emphasize that this is a serious show with strong religious themes and what they consider a fantastic and inspirational ending, Bell said.

Even the cast received some help getting into character from the Pittsburgh Opera: They received study guides exploring the history of the events behind the show at one of their first meetings in the beginning of April.

“This is a show that just hits you,” Bell said. “We say this is a show that may change your life. Opera has definitely changed my life. I’ve wept like a baby at shows. They can bring issues of all kinds to a personal level.”

Thursday, April 21, 2011

Gallery aids three craft makers in art journeys

http://pittnews.com/newsstory/gallery-aids-three-craft-makers-in-art-journeys/

Gallery aids three craft makers in art journeys

“Bridge 11”

Lia Cook, Mariko Kusumoto, Anne Drew Potter

Society for Contemporary Craft Main Gallery

2100 Smallman St.

412-261-7003

Free

One local gallery is trying to help artists who stand on the bridge between obscurity and fame.

The Society for Contemporary Craft on Smallman Street is one of the only museums dedicated entirely to crafts in the Steel City. They display what the center calls “craft media,” which encompasses almost all arts except paintings and photography and is made with materials such as clay, wood, fiber, glass and metals, said Kati Fishbein, exhibitions coordinator for the SCC.

“We really try to show craft artists from around the world who are technically skilled,” Fishbein said.

The Bridge Exhibition Series, now in its 11th installment, began in 1988 and takes place every two years at the gallery and features artists throughout the nation. The exhibitions display the works of people in the middle of their career.

“They may not be very well-known, but they’re past the emerging stage,” Fishbein said. “They have a solid background and body of work. So these shows celebrate artists in the middle of their career.”

This year’s Bridge exhibit features about 30 to 40 pieces created by three artists invited to the exhibition by the SCC.

One of the three craftmakers is 34-year-old Anne Drew Potter, an artist who began working with ceramics as a young child.

Potter has a figurative installation on display composed of 16 sculpted ceramic figures. Most of the figures seem to be talking at the same time in one circle, while another figure sits alone to the side.

The piece is meant to deal with the idea of individual versus group identity, Potter said.

“The art is representational,” she said. “There’s recognizable imagery and they look human. But they’re ambiguous, too. You can’t tell what gender or age or race they may be. So the people are both recognizable and not recognizable.”

This sort of distortion in image as well as the theme of isolation versus inclusion are attributes of most of Potter’s work, the artist said.

“It goes down to my interpretation of how we deal with the identity of self and how we rely on ourselves, but we also rely a lot on group dialogue and conversation of the outside world to try to structure our understanding,” she said. “We need to have a sense of belonging, but we need to have a self of selfness from our own bodies. So individual versus group identity is just an inherent tension.”

While Potter is looking for viewers to interpret her message, 68-year-old Lia Cook is looking to get feedback.

“I just want a response,” Cook said about her artwork. “I’m listening. I’m very interested in hearing from people.”

Cook mostly works with fibers and weaves artwork out of the material. Bridge 11 features a series of woven canvases of various sizes that resemble photographic faces. Some images are clearer than others, but they are all the result of a combination of modern looms run by computers and Cook’s ability to create and alter the images in Photoshop.

Cook has worked with various art techniques since the 1970s. She originally dabbled in painting, sculpting and photography before discovering an interest in weaving after a trip to Mexico. Over the years, she has found that the human touch is a subject appeals to her.

“I’m really interested in the hand,” Cook said. “There’s a lot of things about hand-made now [in our culture], but what about the hand itself? What does the evidence of the hand -made bring to our experience?”

With this in mind, Cook creates pieces that have “depth” and pieces that people want to touch, she said. There’s no agenda behind her works beyond curiosity for the responses people will have.

“Everything is more personal,” she said. “I’m not interested in telling anyone a story. I’m interested in people’s associations with their own personal stories.”

The final artist, Mariko Kusumoto, has a number of smaller pieces made from various metals and woods on display at the SCC gallery. Kusumoto’s style employs traditional Japanese forms and adds in Western influences, which leads to the creation of objects such as small teapots or Japanese doll displays with Western images or symbols. Many of her collapsible pieces are similar to a pop-up books — if examined closely, more and more components of the pieces become visible. One of the pieces, a box shaped like a house, opens to expose numerous carvings of imagess such as people and birds.

Cook feels that the way the gallery is set up — leaving a lot of room between the pieces — helps display the three different artists’ work well.

“You can walk around,” she said. “There’s space. You can see things from multiple angles and engage in them.”

All of the pieces contribute to the idea of promoting and respecting craftsmanship, Fishbein said.

“There’s a definite technique that needs to be mastered,” she said, speaking about the art mediums found in the SCC and the Bridge 11 exhibit specifically. “There’s a more homely background to it, such as the fibers and weaving. These are all mediums that, in the history of art, have not been welcomed into the world of fine art. They’re considered more part of the craft world.”

Friday, April 15, 2011

Handmade Arcade attempts local DIY revival

http://pittnews.com/newsstory/handmade-arcade-attempts-local-diy-revival/

Handmade Arcade attempts local DIY revival

Handmade Arcade

David L. Lawrence Convention Center

1000 Fort Duquesne Blvd.

Saturday, 11 a.m. – 7 p.m.

Free Admission

In 2004, 32 vendors served about 1,000 attendees at a craft fair. Now, in 2011, 120 vendors will serve a crowd that, last year, numbered 10,000.

Currently in its seventh year, the annual Handmade Arcade has grown over time into a mixture of a craft showcase and a social event and has become a champion of locally made eco-friendly goods. The items sold can vary, but include jewelry, children’s toys, clothing, art prints and sometimes bath products.

The Handmade Arcade might not be one of the biggest craft fairs in existence, but it has the distinction of being “one of the first indie craft shows in the country,” said Rebecca Morris, an organizer and Pitt alumna.

The joy of the Handmade Arcade, Morris said, comes from the way it goes “back to a simpler way.”

“With so many mass-produced items, it’s nice to appreciate something handmade,” Morris said. “Here people can meet the maker, which isn’t something you get to do with a typical transaction.”

For Jennifer Baron, who is both an organizer and vendor, being involved with the Handmade Arcade has been a “natural process” from the start. Before the Handmade Arcade began, Baron started an online craft store with her friends in New York and began selling greeting cards on the website Etsy under the name Fresh Popcorn Products, a tribute to her favorite snack food.

Baron eventually moved back to Pittsburgh and expanded her interests. She began collecting vintage food packaging, made patches out of recycled fabric to sew onto shirts and fashioned shirts and tote bags.

“Before this even started, I’d traveled to national craft fairs,” Baron said. “Friends and I were carpooling across the country. We saw a need for this in the city. There was a void.”

When Baron saw a flyer advertising the Handmade Arcade, she signed up at once. She sold her handmade shirts and collages at the event in its first year and soon found herself assisting in organizing the entire fair.

Others have returned to Pittsburgh for business reasons. But vendor Jenn Gooch is a “Pittsburgher by choice,” moving to the Steel City from Texas after attending Carnegie Mellon for graduate school.

“The nice thing about Pittsburgh is it’s one of those places you can afford to live and pursue things you wouldn’t be able to pursue otherwise, like crafts, art and music,” Gooch said.

Although she sewed as a child, Gooch is relatively new to the craft scene. She began making scarves and hats to sell about a year ago, after wanting to redesign a hat she purchased but didn’t particularly like. What began as making items for herself turned into a small business, as friends expressed interest in the items as well.

“It’s one of those things that if you find what you really like, it may be expensive or not interesting enough,” Gooch said. “I like hats, but it’s a dying art as far as having a local hatmaker goes.”

Gooch’s hats are handsewn and usually made out of panels of separate pieces and various materials picked up at thrift stores, she said.

While Gooch’s interest and business are relatively new, Baron said her interest in crafts goes way back.

“It’s something that has been with me since childhood,” Baron said. “It’s ingrained in me since my mom was always sewing. She’d make clothing, curtains and pillows. I still have the curtains she made in the late ’60s, and they’re in wonderful shape. I collect those vintage things and interests from the family.”

This year, the fair also features hands-on demonstrations for interested guests, giving shoppers a chance to work with materials themselves to create prints or scrapbooks at the Handmade Arcade.

Vendors work at other places around the city during the year, including WildCard, a store in Lawrenceville owned by Morris that currently features several of Baron’s products.

“That store has become a brick-and-mortar version of Handmade Arcade,” Baron said. “We sell our products and do demos there. It’s a great hub for indie craft making in the city.”

The Handmade Arcade, though, remains a valuable resource for everyone involved, Baron said.

“We’ve evolved in terms of audience and space, but we’ve also created a community within the greater arts scene and we helped shape it and bring it to life,” she said.