Sunday, December 12, 2010

Holiday Gifts - Last Pitt News Entry of the year!

With a chaotic and expensive time of the year approaching, it’s hard to get together enough cash to buy amazing gifts for everyone you know. But, if you’re on a budget, one option is to give your friends homemade gift cards. Rather than put $25 on a card to Panera or Macy’s — this sort of expense adds up very quickly between your friends — offer your own services to your loved ones — preferably legal ones. Offer to give one of them a free ride or buy them lunch. Those of you with artistic talent might offer to draw a picture of anything your friend asks for. They don’t even have to be serious — you could make one for “one free hug” or “a fantastic night out.” Get creative and think of something that your friend would love. They’ll probably love the personal touch more than the normal gift card.

—Larissa Gula


http://pittnews.com/newsstory/31977/

Wednesday, December 8, 2010

Christmas favorite returns to CLO


Christmas favorite returns to CLO

http://pittnews.com/newsstory/christmas-favorite-returns-to-clo/



“A Musical Christmas Carol”

Dec. 9-23

Directed by Tim Gregory

Byham Theater

Tickets: $26.75-$46.75

412-456-6666 or online at pittsburghCLO.org

For many actors and audiences, December means not only the holidays, but also an opportunity to revisit a favorite reformed miser — Ebenezer Scrooge.

Pittsburgh CLO presents its 19th installment of “A Musical Christmas Carol” this month, with most of its cast returning to take on new characters or reprise old ones. Actor Tom Atkins, for example, will reassume his role as Scrooge.

The show is one of countless adaptations of Charles Dickens’ novella about Scrooge, a curmudgeon who receives a series of visits from the ghosts of Christmas past, present, and future on Christmas Eve. He begins learning about himself and what his future will hold for him if he does not change his tune — “Bah, humbug!” — and greedy ways.

The story overall captures the joy of the holidays and the musical remains loyal to the original plot, according to director Tim Gregory, who has a history with the show, both acting in it and directing another adaptation for five years in Washington.

“I think families would certainly appreciate this version,” Gregory said about the production. “It’s pretty loyal. Of course there are always additions, because the music does not exist in the novella that Dickens wrote.”

The theme, however, remains the power of transformation that Scrooge embodies, according to Gregory.

“You see someone go from one place to another, into the complete opposite of what they have been,” he said. “To be redeemed is a powerful thing to observe and experience.”

Pitt alumna Allison Scarlet Jaye plays Mrs. Cratchit, welcomed by the cast and crew for her debut with Pittsburgh CLO. Jaye graduated from Pitt in 2006 with a degree in humanities but also with plenty of acting experience, having aspired to be an actress from a young age.

“I felt very much a part of the theater community even though I wasn’t technically a theater major, and my post-college life is due in part because of the advice of the theater department,” she said.

The musical production has offered Jaye a wonderful experience behind the scenes as well as on stage, she said.

“Everyone is warm and welcoming and fun,” she said. “We’re all peers. Each member is an integral part of telling the story and this show wouldn’t be the same without the street vendor or the last little kid.”

“From behind the scenes, being at rehearsal and practicing the songs and joking around while being focused, the sense of togetherness we have is also part of the story and the moral. Without each other we are nothing, and Scrooge discovers this after isolating himself off and ruining quite a few relationships and opportunities because he wasn’t with anyone.”

And though Jaye’s biggest challenge is learning all the verses to English carols she otherwise wouldn’t know all the way through, the music is a crucial element in the production.

“It’s a story everyone knows, told in a vivid and visceral way,” Jaye said. “We connect to carols. We’ve been singing them since we were little. But it’s also new. There are things mysterious about the show or even magical. It’s the way of watching a private scene we all connect to and relate to. I say, bring tissues.”

Caitlin Elizabeth Reilly is returning to “A Musical Christmas Carol” for her seventh run with the production. She is taking on the roles of Miss Watkins and Martha Cratchit. With a family in Pittsburgh that has always been involved in theater, Reilly acted in the production as a child from 1995 to 1998 and took on other roles every few years.

“This show really is my absolute favorite show,” Reilly said. “The majority of the cast are people who have known me since I was a kid. I live in Philadelphia, so I come home to do the show and be with my parents. It’s part of the tradition. The family has seen the show a ton of times. It’s a major part of the holidays.”

For Reilly, the challenge is to stay in character — and not regress and say the lines she would have said in a different role.

“I’ve never played these characters, so it’s kind of interesting and it’s hard to not go back to what I was doing before,” Reilly said. “There are scenes I used to do as old characters where I have to hold back.”

Just like Jaye, Reilly has had minimal problems adapting to the new role and feels a sense of togetherness with the cast. She’s confident that audiences will feel genuine holiday joy and spirit from the cast as they perform “A Musical Christmas Carol.”

“The kids on stage are adorable and fun to work with, and the cast genuinely likes each other,” Reilly said. “This is clear to the audience that we’re a big family and we laugh more than most productions of a show would. I think that joy is a huge strength of the production.”

Sunday, December 5, 2010

Pitt alum wins National Book Award

http://pittnews.com/newsstory/pitt-alum-wins-national-book-award/

Pitt alum wins National Book Award


Despite being young — just turning 39 — Pitt alumnus Terrance Hayes received a National Book Award for poetry, succeeding over four other poets.

The National Book Awards are a series of prestigious literary prizes given to writers since 1950 in categories for fiction, nonfiction, poetry and young people’s fiction. Hayes won with “Lighthouse,” his fourth book of poetry.

His success has caused excitement in the Pitt community, particularly the English department, and the Carnegie Mellon community, where he works as a professor.

“People in the writing program have been talking about it a lot,” said Pitt professor Lynn Emanuel, who taught Hayes in Pitt’s Master of Fine Arts program. “We’re all thrilled. It’s an honor to win the Book Award. It’s an exceptional honor to win it so young.”

Emanuel served on the panel of judges for the same award four years previously, so she understands the challenges of judging as well as winning.

“During deliberations, we talked about the way it’s hard to give the award to a single volume of poetry when there are so many that contain a life’s work,” Emanuel said. “For a single volume by a young writer to win the award is extraordinary.

“I’m not sure what the impact will be for Terrance, aside from the fact that he will be very busy and get job offers and who knows what. But I think it’s exceptional that this happened to someone as young as he is.”

Hayes earned his master’s degree in writing from Pitt in 1987. He currently teaches English at CMU and keeps busy teaching workshops and classes to students examining poetry in the public sphere.

He makes time to write on a daily basis and always challenges himself in his writing, according to fellow professor James Daniels.

“In each book, he’s challenged himself and his readers with fresh, innovative work,” Daniels said in an e-mail. “Stylistically, he’s very inventive. Nobody out there is writing like Terrance, and I think the distinctiveness of his voice makes him stand out. His work reaches across many of the groups that make up contemporary poetry.”

Hayes said in an e-mail that he considered himself a reader long before he became a writer and remembers reading poetry along with fiction at a young age. Though he never strongly considered making a career out of poetry, now that he is a writer, he can’t imagine doing anything else.

He also believes Pitt professors had a large impact on his style.

“I remember my three poetry professors: Ed Ochester, Lynn Emanuel and Toi Derricotte,” he said. “They were three distinct poets and teachers. Each was encouraging and engaging. I try to be a poet that combines all they taught me about mind, body and spirit.”

Emanuel remembers Hayes in her classes as a young man who was “finding his voice.”

“He was sort of going back and forth between writing about African-American superheroes and his family,” she said. “If you think in terms of his current developed work, it was a kind of interesting sign of what would happen later.

“His poetry is in some ways rooted in the real, domestic world of the family. In other ways, it is also very socially conscious and very interested in both stereotypes and characters from African-American literature and music. I think he was already working in that direction even when he arrived.”

Although there are people who don’t appreciate poetry or read it regularly, Hayes considers the art small but thriving.

“No one gets rich and famous writing poetry, but there is no shortage of passionate audiences,” he said. “These audiences include students and teachers, of course, but you’ll also find regular people who somehow discovered a poem or poet. I think there’s something for everybody in the form. No one says, ‘I don’t like music,’ because there are so many kinds of music. The same is true of poetry.”

Emanuel also feels that poetry, one of the oldest forms of literature, carries a historical weight with it, making it a powerful class topic for all her students, past and present.

“It has an incredibly complex body of knowledge attached to it,” she said. “I think the other thing that an instructor does is invite a student to enter this long, complicated conversation by writing. I think every student in a MFA, certainly any at Pitt, is very aware of some kind of historical and cultural burden pressing down on everything they write.”

With the award came a reassurance for Hayes that people still care about the art form.

“Winning the National Book Award only confirmed my belief that people still care deeply about poems,” he said. “I’ve heard from people across the social spectrum who are curious or encouraging about what I do. I’ve been excited and a bit overwhelmed by all the attention.”

Wednesday, December 1, 2010

Pitt songbirds croon about winter seasons

http://pittnews.com/newsstory/pitt-songbirds-croon-about-winter-seasons/

Pitt songbirds croon about winter seasons


Heinz Chapel Choir

Today 5:15 p.m.

Heinz Chapel

Admission: free

Though their other concerts are sold out, the Heinz Chapel Choir will perform one free concert on Pitt’s campus today.

The choir formed in 1938 as part of the religious services in Heinz Chapel. It became a University concert choir in the 1950s, which meant that rather than just singing religious songs, the choir began to perform pieces from almost every genre, said John Goldsmith, the choir director.

Songs this year include “Santa Claus Is Back In Town” and “When You Believe,” a song from the movie “The Prince of Egypt.”

Junior Sarah Ivins joined the choir as a freshman when she auditioned for one of 12 seats available at the time. A singer since a young age, it was important to her to remain active in a musical group. The upcoming Christmas concerts are Ivins’ favorite choir events.

“Performing in the Heinz Chapel provides fantastic acoustics and a beautiful setting in which to sing,” she said. “The Holiday Concert tradition is to begin the concert in the balcony, with more traditional choral pieces. Then we move down to the floor and surround the audience with lanterns, singing as the lights outside the Chapel are turned on, illuminating the brilliant stained glass windows.”

The choir also performs four other concerts in addition to the free performance, but don’t look for tickets to those events — they sold out early.

“We always have a full house, even off campus,” Goldsmith said. “The reputation has been spreading for a long time now. When people come once, they come back because they enjoy it so much. Tickets are on sale in October and they’re gone [in three weeks] because this is a family tradition and people won’t miss the Christmas concerts.”

-by Larissa Gula, Staff Writer

Groban gives goosebumps

http://pittnews.com/newsstory/groban-gives-goosebumps/

Groban gives goosebumps


Illuminations

Josh Groban

143/Reprise Records

A-

Rocks Like: A classical Five For Fighting

Classical and pop music meet in Illuminations, the new release of American singer-songwriter Josh Groban.

The artist is now well-established, having released four previous albums and made two guest appearances on “Glee.”

Similar to previous releases, Groban’s music primarily features an orchestra with piano and string instrument solos. Some songs are in other languages, including Italian and Portuguese. In these cases, Groban relies on the instrumental music and power of his vocals to convey meaning to those who do not speak the languages.

On this latest album, Groban leans a little away from his previous works by diversifying his sound. Though Groban fans will surely recognize the artist’s work, some tracks feature stronger drums and guitars, as well as a pop-quality tempo.

The lyrics, however, remain pretty similar to those of his previous releases. Groban prefers songs that carry a hopeful quality to them. This is a trend his single “Hidden Away” continues with lyrics like, “And all these words you were meant to say / Held in silence day after day / Words of kindness that our poor hearts crave / Please don’t keep them / Hidden Away.”

It’s fair to say that Groban’s sound and his lyrics might not be for everyone, but this is one album worth looking into. Groban considers Illuminations a “live” album, only doing one take on most of his songs. Groban breathes life into the classical style, and his powerful voice leaves listeners with goosebumps.